Word: bumptiousness
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...Last Tycoon.” In January, the band’s return-to-form was announced by none other than Kanye, who introduced the first single from PB&J’s fifth studio album, “Living Thing,” on his blog. The bumptious auteur gloated, “THEY SENT THE SONG TO ME FIRST!” and went on to wax lyrically, “DRUMS ARE CRAZY AND I LIKE THE KIDS ON THE HOOK.” Kanye is totally right. “Nothing to Worry About?...
...default swaps? uh, sure, whatever - Americans can now revert to their ruthlessly pragmatic, commonsensical selves. Admitting that we aren't certain exactly how to proceed is liberating, and key. Hyperbolic rants and rigid talking points, in either Limbaughian or Olbermannian flavors, now seem worse than useless, artifacts of a bumptious barroom...
...scarecrow of a man stumbles up to three children playing at the edge of a mid-19th century Australian frontier settlement and stutters, ''Do not shoot. I am a B-b-british object.'' The most bumptious of the young group marches the frightened visitor home, where he is taken in as a stray. Speaking English as a forgotten language, he explains that his name is Gemmy Fairley, that he was a cabin boy shipwrecked off Queensland and raised by what today would be called Native Australians. ''Blacks,'' the fearful pioneers call them. If readers on the other side...
Thus, perhaps ironically, American Gangster, Steve represents an improvement on gangster myth. In truth, crime kingpins tend to lead long lives, interrupted by a little jail time (Frank's life sentence was commuted to 15 years). It is also improved by the fact that Crowe's bumptious character comes to enjoy the man's company, even becoming his attorney when he leaves law enforcement. It's the old Dostoyevskian bit about cop and crook being brothers under the skin. In the film, the only truly loathsome villain is a crooked cop, Detective Trupo, played with wonderful brutality by Josh Brolin...
...Once Jacob lands in Denmark After the Wedding - a rich, intricate and very gripping movie from Susanne Bier - takes off. His benefactor, Jorgen (Rolf Lassgard), is Jacob's opposite in every way. He's a large, bumptious man, open in his emotions - genial and generous in his family life - but devious and manipulative in his business dealings. He invites Jacob to attend the wedding of his adopted daughter, knowing full well that (a) he has married the great love of Jacob's life and (b) that the daughter is actually Jacob's child - a fact that becomes agonizingly clear...