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PoHyanna. Walt Disney's best live-actor movie to date sticks to the original lachrymose plot like warm icing to a sugar bun, tells the simpering story of the horrid little prig (intelligently acted by 13-year-old Hayley Mills) whose armor of cheerfulness and joy remains impenetrable to the sniffly...

Author: /time Magazine | Title: THEATER: On Broadway, may 23, 1960 | 5/23/1960 | See Source »

Pollyanna. Walt Disney's best live-actor movie to date sticks to the original tear-jerking plot like icing to a sugar bun, tells the simpering story of the horrid little prig (intelligently acted by 13-year-old Hayley Mills) whose armor of cheerfulness and joy remains impenetrable to the bitter...

Author: /time Magazine | Title: CINEMA: Time Listings, may 16, 1960 | 5/16/1960 | See Source »

...picture, with a few minor exceptions, sticks to the story like icing to a sugar bun. Pollyanna (Hayley Mills) is a poor little orphan girl, the eleven-year-old daughter of a kindly, idealistic clergyman who has "gone to heaven to be with mother" and left her in the British West Indies without "anybody but the Ladies Aid" and her Aunt Polly (Wyman), a middle-aged puckerpuss who lives all alone in a vast Victorian mansion somewhere east of the Mississippi and does good to her fellow townsfolk whether they like it or not. When Aunt Polly hears...

Author: /time Magazine | Title: Cinema: The New Pictures, may 9, 1960 | 5/9/1960 | See Source »

Birgit Cullberg is a bun-haired, 51-year-old Stockholm matron who once planned to be a librarian. But while she was studying literature at the University of Stockholm, she discovered that cataloguing was not really her game: at the remarkably late age of 25 she gave it up to become a dancer. Since then, as one of Europe's most talked-about choreographers, she has been busy constructing her own five-foot shelf of bibliophilic ballets: Medea, Romeo and Juliet, Miss Julie. Last week she was in Manhattan to witness the premiere by the American Ballet Theatre...

Author: /time Magazine | Title: Music: Seaside Ballet | 5/2/1960 | See Source »

When the actual structure began going up, its exterior proved too much for many critics as well, was dubbed "the snail," an "indigestible hot cross bun," a "wash ing machine." Robert Moses, New York City Parks Commissioner and Metropoli tan Museum ex officio trustee, decided that it looked like "an inverted oatmeal dish." Wright fired back: "It's going to make the Metropolitan Museum look like a Protestant barn." Twenty-one artists signed a round-robin protest charging that Wright's scheme for hanging would throw their canvases askew and the sloping ramp (3%) would provide no level...

Author: /time Magazine | Title: Art: Last Monument | 11/2/1959 | See Source »

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