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...that begs to be asked is just how Harvard Coach Tim Wheaton and his athletes maintain their domination of Ivy League soccer. Obviously, an important factor is the coaching. (Patriots fans have only to consider two words--Bill Parcells--to understand this.) Somehow Wheaton is able to take a bunch of new an old faces every year and build teams that not only wins games but have great chemistry as well. Wheaton's teams always seem to have an identity and confidence, especially late in the season, that are the trademarks of a winning program...

Author: By Chris W. Mcevoy, | Title: UMass Can't Derail Harvard Soccer Express | 11/17/1997 | See Source »

...most part, the East has a different philosophy in teaching horseback riding than the West does. I was taught how to ride in Wyoming by some cowboys who put me on a wild horse with no helmet and sent me off galloping into the sunset with a bunch of equally clueless beginners. Fortunately I survived this 'sink-or-swim' way of teaching without breaking my neck (only a few bruises), but obviously this is not how Boston Equestrian teaches riding or they'd in court every day facing massive lawsuits...

Author: By Chris W. Mcevoy, | Title: Beantown Bonanza | 11/13/1997 | See Source »

...August and Everything After" is not just the name of an album and a bunch of lyrics without music. Duritz says that there actually is music written for the words that appear on the cover of the band's first album. It was originally recorded as a demo on a two track in his basement. "My dad probably has it now," says Duritz. The song was actually supposed to appear on Recovering the Satellites as a ghost track, showing up unannounced at the end of the album. The album turned out to be too long, however, and so "August...

Author: NO WRITER ATTRIBUTED | Title: A Lost Dream, A Lost Song | 11/7/1997 | See Source »

...musical world, especially for an inherently questionable soundtrack, but it somehow keeps Bean from the movie music graveyard. The surf-rock doo-wop of the Beach Boys' "I Get Around" and the 80s staple "Walking on Sunshine" from Katrina and the Waves lend a familiar sound to a bunch of otherwide deservedly unknown songs. Don't think that unpopularity leaves other tracks necessarily disappointing. "I Love L.A." by the revivors of this past summer's Latin element, O.M.C., has a catchy groove, Boyzone's "Picture of You" frolicks in generic R&B melodies, "He's A Rebel" by Alisha...

Author: By Peter A. Hahn, CRIMSON STAFF WRITER | Title: Disorganization as a Musical Revelation | 11/7/1997 | See Source »

Hoffman's Brackett is by far the most complex and believable character of the bunch. Still, the writers need him to become more sympathetic as the climax approaches, and they try very hard to make us like him again, a feat which requires some serious mid-movie plot engineering (up to this point, we've only seen him capitalizing on tragedy and weighing the pros and cons of seducing Lori). Halfway into the film, two wolfish network producers inexplicably show us a clip of Brackett and anchor Hollander on the site of a gruesome airplane crash. Shaken by the carnage...

Author: By Scott E. Brown, CONTRIBUTING WRITER | Title: `Mad City' Plays Up Media Paranoia | 11/7/1997 | See Source »

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