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...Brits have a lot to boast about when it comes to their contribution to the definitive catalog of 80s tunes. With bands like Echo and the Bunnymen, Depeche Mode, and the Cure, it’s pretty obvious why time and again fledgling rock groups have appropriated the musical aesthetic of their compatriots. White Lies, a London based trio formerly known as Fear of Flying, is no exception to the rule. Featuring a nostalgic veneer of haunting melodies, morbid song titles, and even more melancholic lyrics, the outfit’s U.S. debut, “To Lose My Life...

Author: By Eunice Y. Kim, CRIMSON STAFF WRITER | Title: White Lies | 3/20/2009 | See Source »

Provided Ringo survives the opening ceremony, he'll headline at a concert the next evening featuring fellow mainstays of the city's music scene: the Royal Liverpool Philharmonic Orchestra, No Fakin' DJs, Echo and the Bunnymen, Pete Wylie, Ian Broudie, Shack, the Christians and the Wombats. That motley list tells the real story. Something about Liverpool, a chemical reaction between the irrepressible locals and the diverse influences that have slipped ashore in the city's port, spurs creativity. High culture and low, from staid to avant-garde - it's all come out of Merseyside. But nothing else has ever equaled...

Author: /time Magazine | Title: Ringo's Rhythm Without Blues | 12/12/2007 | See Source »

...album’s immediate highlight and cheapest thrill is the lead single, the throbbing “Still In Love Song,” where distorted vocals (strongly reminiscent of The Stills’ current tour partners, Echo and the Bunnymen) drone over a jaunty bass line. At their worst, as on the nearly self-parodying “Animals & Insects,” the band suffer from monotony—without memorable hooks, the songs are unspectacular, and the throbbing, annoyingly persistent bass longs for a change of pace. As another entry in a growing aesthetic of modern...

Author: By Crimson Staff, | Title: New Music | 10/24/2003 | See Source »

Inconsistencies aside, the songs are catchy and filled with tension, with gorgeous arrangements reminiscent of Echo and the Bunnymen and The Smiths. Yet some go too long (like the fourteen-minute monstrosity “Lately”), meandering about without purpose or resolve. It’s a shame The Decline couldn’t be more cohesive, as it softens what could have been the unique and talented band’s powerful first impact. —Leon Neyfakh

Author: By Crimson Staff, | Title: New Music | 10/17/2003 | See Source »

...mostly older crowd. The poppy Bis-like vocals and catchy rock stylings of compositions from their debut Diamonds in the Belly of the Dog, as well as their cover of the Police classic "Next To You" were frenzied, energetic and inspiring: in short, everything Echo and the Bunnymen were...

Author: By Annie K. Zaleski, CRIMSON STAFF WRITER | Title: Echo (Echo) Fades (Fades) | 10/8/1999 | See Source »

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