Word: bunuel
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Dates: during 2000-2009
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...Unlike that of his successors, Bunuel's work transcends all genre classifications. He was a critic of social and religious mores, who is best known for what he grudgingly called his "obsessions." Objective parties might more appropriately call them fetishes, but Bunuel was quick to state for the record that these were not his own fetishes. In the delightful book "Objects of Desire: Conversations with Luis Buñuel," he notes that "I am attracted by foot fetishism as a picturesque and humorous element. Sexual perversion repulses me, but I can be attracted to it intellectually...
...film is rife with blasphemous images: a cross that doubles as a pocketknife, a cross of thorns being tossed on a blazing fire, a group of mangy beggars assembling into a "Last Supper" tableau vivant. The Spanish government banned the film, but it was a worldwide success and reestablished Bunuel in the front rank of international filmmakers - and sacrilegious troublemakers...
...perched on a high pillar. The devil comes to tempt Simon, in the form of a sexy young woman (Silvia Pinal); for her final act, she shows this ascetic a vision of a modern day "black mass," taking him inside a noisy, sweaty, rockin' 1960s discotheque! "The Milky Way," Bunuel's final statement on Catholicism, is an episodic exploration of noted historical heretics, including Buñuel's professed "master," the Marquis de Sade (Michel Piccoli). Two pilgrims en route to a Spanish shrine travel from era to era, and also have "visions" (including one of a jovial, chuckling Christ...
...aggression, of bizarre terrors and fetishes. But in the '20s and '30s it was beyond mere weirdness. Dali must have enjoyed the worst relations with his father of anyone else since little Oedipus. In 1930 his parent wrote a frantic letter to Dali's friend, film director Luis Bunuel, begging him to prevent the artist's coming anywhere near him: "My son has no right to embitter my life," and his mother's health "will be destroyed if my son sullies it with his foul conduct." And his mother? At one point Dali exhibited an image of the Sacred Heart...
...from psychoanalysis to micro-physics, has begun to describe a world where...reason no longer always seems right." Cinema "encourages us to think in a dreamlike way...[it] slowly but surely filters the most basic of doubts throughout society: that of questioning the value of absolutes." Dali collaborated with Bunuel on two of the underground classics of 20th century film, Un Chien Andalou (An Andalusian Dog) and L'Age d'Or (The Golden Age); he was closer to cinema than any other painter of his day, partly because he was obsessed by the power of cinema to make dreams immediate...