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Tristana. Luis Bunuel's tale is about a young woman (Catherine Deneuve) who falls prey to the affections of her much older guardian (Fernado Rey). Comic (if not to the extent of The Milky Way ) and darkly surreal, this film presents Bunuel's unique vision of the shifting planes of morality...

Author: By Frank Rich, | Title: The Ten Best Films of 1970 | 1/11/1971 | See Source »

Like the well-heeled French wife played by Catherine Deneuve in Luis Bunuel's movie Belle de Jour, the girls apparently engaged in part-time prostitution for more than the money. Not that the money was bad; Giselda charged $80 to $250 per coffee break, and her girls received cuts ranging from $50 to $100. They never worked past 8:30 p.m., and they were usually home in time for dinner with their unsuspecting families. Some psychologists theorized, however, that this sexual moonlighting was an illusory attempt to satisfy the modern needs for freedom, adventure and unhampered sexuality-particularly...

Author: /time Magazine | Title: World: Coffee for Every Taste | 12/14/1970 | See Source »

...Bunuel's Tristana, which stars Catherine Dencuve, closed the Festival. The story is reminiscent of Viridinana: a beautiful young girl dressed in black enters the home of her guardian (Fernando Rey, who also played the uncle in Viridiana ); she becomes his mistress, then his wife; she destroys him. Loss of innocence is a favorite Bunuel theme, and Deneuve's progression from blond virgin to black widow is a passionate, nearly religious journey. What most marks the film is the blend of heresy and humanism for which Bunuel is distinguished...

Author: By Martin H. Kaplan, | Title: The New York Film Festival Twelve Nights in a Dark Room: You Can't Always Get What You Want | 9/29/1970 | See Source »

...movie is nearly flawlessly executed, and its emphasis on story and detail makes it much more textured, far more moving, than a film like Five Easy Pieces. Perhaps a comparison of the two movies is unfair; Rafelson is just beginning his career, Bunuel is ending it with years of fully sustained excellence. But because both men are dealing, in the end, with the same kinds of problems-Is a person defined by himself or by his intimates? Is there such a thing as redemption through passion? Does geography have a personality-vindictive, liberating, or purely evil?-it seems appropriate...

Author: By Martin H. Kaplan, | Title: The New York Film Festival Twelve Nights in a Dark Room: You Can't Always Get What You Want | 9/29/1970 | See Source »

...Bunuel is an artist, and he knows he's a sinner; Rafelson makes movies, and has a saint's deadly obsession with truth. "What you can, do," goes another Yiddish proverb; "what you have, hold; what you know, keep to yourself...

Author: By Martin H. Kaplan, | Title: The New York Film Festival Twelve Nights in a Dark Room: You Can't Always Get What You Want | 9/29/1970 | See Source »

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