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Five pages after Handlin's bitter and unsubstantiated critique of Roots, he chooses once again to excuse the writings of John Burgess and of William Dunning that gave credibility to contemporary theories of racial inferiority proposed by social and biological sciences. Sure they were wrong because they allowed their racist attitude to influence their writing of history, Handlin says. Nonetheless, they deserve no more than a slap on the wrist. After all, these works "were products of serious scholarship, had respectable scientific underpinnings, and earned respect as useful contributions to the solution of current problems." Some people found them useful...

Author: By Brenda A. Russell, | Title: A Tale of Woe | 10/20/1979 | See Source »

Egging Rocky on as well is his trainer Burgess Meredith, who looks like he'd been in one too many fights himself. Meredith mugs his way through a tailor-made role, but his is still the most enjoyable performance of the film...

Author: By Susan K. Brown and Scott A. Rosenberg, S | Title: No Future | 7/13/1979 | See Source »

...brother (a newly slim Burt Young) must dart in and out of scenes to deliver plot information. Once Rocky starts to train in earnest, the film becomes less a sequel than a prosaic remake. "For a 45-minute fight, you got to train 45,000 minutes," barks Trainer Burgess Meredith. He isn't kidding...

Author: /time Magazine | Title: Cinema: Plastic Jesus | 6/25/1979 | See Source »

Following the "teach-out" more than 300 people marched behind Woods, Brutus, Cannon Burgess Carr, secretary general of the All-American Union of Churches, through the Yard and Harvard Square to the steps of the Kennedy School...

Author: By James L. Tyson, | Title: A Lively Class | 4/14/1979 | See Source »

...Clockwork Orange. Stanley Kubrick elevates this Anthony Burgess nightmare into a film of frightening precision, thought-provoking and pointed in its satire of "enlightened" modern ideas of criminal reform. Some find the violence sensationalized, but Kubrick gives it all purpose. The perfectly realized vision of London as the decadent plaything of roving gangs turns macabre as Kubrick overlays Rossini, Beethoven, and Purcell music. Don't expect to leave feeling reassured or satisfied; Kubrick doesn't answer the questions he raises about society's right to curb individual freedoms when the individuals smash, batter and rape. Malcolm MacDowells's sympathetic portrayal...

Author: NO WRITER ATTRIBUTED | Title: In a World Where Flying Men Hunt Elephants......People Will Just Naturally Want to Get High | 3/15/1979 | See Source »

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