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Word: burins (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...taxis as props for their pop works; painters are bulging their canvases out into space to challenge the sculptors. Now the mixed-media trend seems to have struck the world of prints. Scorned are such traditional tools as the lithographer's stone and crayon, the engraver's burin, the woodcutter's gouge; in are Plexiglas and acetate, molded plastic and all kinds of electric lighting...

Author: /time Magazine | Title: Graphics: Mixed-Up Medium | 9/30/1966 | See Source »

Draftsmanship came naturally to the Nuremberg-born goldsmith's son. As a boyhood apprentice, Dürer learned to control the sharp burin as it plowed ornamental-and indelible-lines across the rich metal. At 15, he got his father's permission to study art, and he turned his point to image making. Even before his death in 1528, Dürer's chop M., a reminder of his goldsmith's training, was known across Europe. To show the full range of his accomplishment, 150 drawings by him and his contemporaries have been assembled from...

Author: /time Magazine | Title: Painting,Graphics: Hot-Rod Heraldry | 11/12/1965 | See Source »

Handwriting on Sponges. The three traditional methods of making graphic-arts plates are: scoring smooth copper with a burin for intaglio engraving, carving in wood with a gouge for relief printing, and drawing on stone with grease crayon for lithography. Now, graphic artists print from almost anything almost any way. Sid Hammer, 38, produces his blocks by melting vinyl, as plain as kitchen flooring, with a hot incising iron. "My graphics," says he, "have the sensation of handwriting on a sponge." The handwriting ends up on the wall for less than $100. In Hawaii recently, an art student produced...

Author: /time Magazine | Title: Graphics: Of Rabbit Glue & Beauty | 9/4/1964 | See Source »

...initiatives (L'Eplattenier), an educational center limited to 20 students, men and women, existed during 15 years exciting the interest and hostility of people. In one single place were taught drawing or color, volume, modeling, etc..., construction (furniture, etc.), jewellery, embroidery, etc, etc. . . . Le Corbusier began with a burin in his hand and the goldsmith's hammer and chisel, realizing, though very young, excellent works. He made his first house when he was seventeen and a half without ever having studied architecture. This house subjected to the influence of that time and of his teacher L'Eplattenier, gave an opening...

Author: By Le Corbusier, | Title: Concepts of the Architect | 5/22/1963 | See Source »

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