Word: burlap
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Dates: during 2000-2009
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...action as they embroider wedding trousseaus, suggests a paranoid feeling of invisible yet omnipresent eyes that connects the audience to the play.The set design brings incredible new meaning to the “Experimental” name of the theater, radically transforming and shrinking the scale of the Ex. Burlap cloth drastically lowers the roof, and there’s no space between the opposite sides of the audience and the set; the effect is to make the action as close to the audience as possible. The design is an interesting move for designer Jess R. Burkle...
Another new addition is a 400-foot burlap ceiling, hiding the normal cobweb of lightbulbs and steel catwalks that gives “the Ex” its “experimental” feel. The ceiling, which took approximately ten hours to make and install, gives the stage the rustic feel of rural Spain...
...however, the sandhills seem to inhabit a charmed world. Their persistent presence in that world stirs hidden human watchers. Midwestern Environmentalist Ross Sublett, an official with the Nature Conservancy, has seen the cranes many times, but at day's end, peering through the torn burlap curtain of a small wooden blind, he marvels anew at the squadrons of cranes landing in the Platte like parachutists dropping from the sky. Dark descends, and a full moon magically rises, throwing a broad moon-beam across both river and cranes. "What's the fascination?" Sublett murmurs. With the cries of the cranes filling...
...Italy, they called it Arte Povera, elsewhere "junk art": turning refuse - burlap sacks, globs of tar - into popular works. For artists like Alberto Burri, who began producing Arte Povera in the '50s, such trash would eventually become treasure. Museums and galleries such as the Solomon R. Guggenheim in New York City and the Pompidou Center in Paris vied for his works for decades. In 1989, a collector shelled out $2.8 million for one of his prized Sacco (Sack) paintings called Umbria Vera. At the time of his death in 1995, Burri's most famous pieces, including the Sacks and Plastics...
...number of survivors increased, however, so did the size of the relief problem. In the nearby towns of Mariquita and Guayabal, hospital facilities were immediately overwhelmed. At Mariquita, authorities were laying out the wounded on any available surface, from black plastic garbage bags to burlap coffee sacks. Mudslide victims were being wrapped in tablecloths, curtains, anything that local citizens could spare. Dazed survivors, still covered with mud, roamed the town's streets looking for lost loved ones...