Word: burnette
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Dates: during 1980-1989
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...seems almost pointless to describe the plot. Anyone who has not been lost in a galaxy far, far away for the past decade or so could describe it sight unseen. Bobby Lee Burnett (Bruce Dem) prospers building taco stands. His wife ( Ann-Margret) is driving him slightly bananas, but she is pleasant enough beneath her Southern accent and her kittenish sexual ways. Bur nett has his 40th birthday and, having received his Betamax, wonders if that is all life has to offer. Next thing he knows he has bought a Porsche, had an affair with a Dallas Cowgirl and told...
Spring, however, brought a thaw in the official Soviet attitude toward the project. Managing Editor Ray Cave spent four days in Moscow speaking with top Soviet officials. Photographers Mark Meyer and David Burnett traveled thousands of miles across the country to take many of the issue's photographs. Reporter-Researcher John Kohan, who speaks fluent Russian and was making his fourth trip to the U.S.S.R., visited a psychiatric outpatient center, rode with an ambulance team, went behind the scenes at the old Moscow circus, spent a day at a tractor factory...
...James Burnett...
...newest celebrity: famed Tenor Luciano Pavarotti, a sometime Alfredo, who is about to take four months out of a schedule almost as fully packed as he is to star in Yes, Giorgio, a comedy about an Italian singer who falls in love with an American woman. Carol Burnett produced paper and pen for his autograph, Carroll O'Connor emerged from his Archie Bunker to demonstrate a sensitive knowledge of opera, and Grant, using the word that any Cary impersonator can deliver, told Pavarotti the film would be "terrific." Luciano, sipping Campari and soda, was as excited as the guests...
...Tuesday's and at clubs in such other cities as Philadelphia and Washington, he wound up a rare swing through the East with a performance for the Atlanta Jazz Alliance. He had a first-rate trio in tow: Pianist Milcho Leviev, Bassist Bob Magnusson and Drummer Carl Burnett. His repertory ranged brilliantly over a variety of moods and rhythms, from standards (What Is This Thing Called Love?) to appealing originals (Ophelia, Blues for Blanche), and from wistful ballads (Over the Rainbow) through funky Latin beats (Mambo Koyama) to awesome, high-speed pyrotechnics (Cherokee). Amazingly, after all his debilitating periods...