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...crack the Hong Kong market in the 1990s. Hong Kong consumers seemed to prefer familiar neighborhood chain stores. Carrefour lost $400 million between 1996 and 2000 on four Hong Kong outlets. "It all ended in tears, really," says Alan Treadgold, director of retail research for ad agency Leo Burnett Worldwide in Sydney. "They just couldn't make the format work...

Author: /time Magazine | Title: Attack of the Superstore | 4/22/2002 | See Source »

DIED. CARRIE HAMILTON, 38, actress, musician and daughter of Carol Burnett and producer Joe Hamilton whose three-year adolescent descent into drugs made national headlines and prompted a family antidrug crusade; of cancer; in Los Angeles. A play she wrote with her mother, Hollywood Arms, will open at Chicago's Goodman Theater in April...

Author: /time Magazine | Title: Milestones Feb. 4, 2002 | 2/4/2002 | See Source »

DIED. DON TENNANT, 79, advertising jack-of-all-trades who helped create Tony the Tiger, Kellogg's venerable Frosted Flakes pitchman; of heart failure; in Los Angeles. Tennant worked for 20 years at Chicago's Leo Burnett agency, serving as copywriter, artist, TV-commercial director, jingle writer and creative director. Among his creations: the catchy Pillsbury slogan "Nothin' says lovin' like somethin' from the oven...

Author: /time Magazine | Title: Milestones Dec. 24, 2001 | 12/24/2001 | See Source »

...Land, Black Hawk Down) that tell more original and riveting stories. This one is no more than good, solid commercial picturemaking (although, come to think of it, that's getting to be something of a rarity lately). But it is well played (special mention to Vladimir Mashkov, who portrays Burnett's implacable tracker with chilling, silent menace) and, better than that, it is well directed by John Moore, whose previous work was in commercials...

Author: /time Magazine | Title: Cinema: A Solid Victory On The Action Front | 12/3/2001 | See Source »

...have to hold that against a director. Moore can quick-cut with anyone, and he uses that skill intelligently (as in the scene where the F/A-18 pilots eject). But his most memorable work is of a more sweeping sort. He uses a high camera gracefully, swirlingly, to isolate Burnett in the stark and unforgiving mountains. He can also get down on the ground, in low angles, to track Burnett's flight across flatter terrain while still stressing the man's lonely desperation. It's too much to say that Moore's work constitutes a reinvention of the action movie...

Author: /time Magazine | Title: Cinema: A Solid Victory On The Action Front | 12/3/2001 | See Source »

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