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Word: burnham (lookup in dictionary) (lookup stats)
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Ellen O'Neill, playing at Finn's center halfback spot, robbed the Big Green of a tying tally when she stopped a drive inches shy of the Crimson goal line. Minutes later. Trina Burnham, shifted to O'Neill's right halfback position, sped in front of a pass to parry another dangerous thrust...

Author: By Mike Knobler, SPECIAL TO THE CRIMSON | Title: Stickwomen Triumph, 1-0 | 10/18/1982 | See Source »

Another comfort for the Harvard mentor is her team's great depth. All 16 Stick women on this year's roster have made on-field contributions to the Crimson cause. Saturday, Trina Burnham stood out off the bench, easily fitting into the flow of play and providing needs support to the Stickwomen's attack...

Author: By Mike Knobler, | Title: Stickwomen Stay Unbeaten, Edge Penn in Ivy Opener, 1-0 | 10/4/1982 | See Source »

...problem, says John Reidy of Drexel Burnham Lambert Inc., is "picturing the typical reader of USA Today. I'm not sure how clearly I see this ephemeral reader." Neuharth counters that "there are millions of gypsies in this country, and if they are normal, they have retained an interest in the locations where they have lived or worked...

Author: /time Magazine | Title: Press: Staking a Fortune on Gypsies | 9/20/1982 | See Source »

...FRIEND points out, you can almost keep time according to drummer Hugo Burnham's powerful beat, a beat which sustained such early hits as "Damaged Goods" and "At Home, He is a Tourist." As well as almost defining their current array of soultinged anthems Sara Lee lays down a strong bass line and more, as well as patching in with her gutsy soprano voice at important moments in "Call Me Up" and "I Love a Man in Uniform...

Author: By Micheal J. Abranosrit, | Title: Gang Politics | 8/3/1982 | See Source »

...glare sinisterly our into the orgiastic crowd. A technical virtuoso equal to Adrian Belew or Robert Fripp of King Crimson, he sends screeching feedback and other bizarre sounds blazing to the ceiling, rips off eclectic chord changes to brand in with the rhythmic thrust laid down by Burnham and Lee, and contributes his eerie, monotonic voice strategically. For his part. King writhes and oscillates madly like a maniacal giraffe at the center of the stage, his primitive, guttural, and thoroughly expressive voice bounding through the controlled disorder let loose by his bandmates. To watch is a riveting experience, whether...

Author: By Micheal J. Abranosrit, | Title: Gang Politics | 8/3/1982 | See Source »

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