Word: burris
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...Roberto Franchi, adding that he first decided to display his artworks when he ran out of space at home. "This way, I can look at my art all day and other people can enjoy it too." Recently, his collection has been boosted by loans, including a canvas by Alberto Burri, from the Giov-Anna Piras Foundation of contemporary art in nearby Asti. (See TIME's Global Adviser for exotic, beautiful and interesting getaways...
...Italy, they called it Arte Povera, elsewhere "junk art": turning refuse - burlap sacks, globs of tar - into popular works. For artists like Alberto Burri, who began producing Arte Povera in the '50s, such trash would eventually become treasure. Museums and galleries such as the Solomon R. Guggenheim in New York City and the Pompidou Center in Paris vied for his works for decades. In 1989, a collector shelled out $2.8 million for one of his prized Sacco (Sack) paintings called Umbria Vera. At the time of his death in 1995, Burri's most famous pieces, including the Sacks and Plastics...
...very presence of its past that seems to determine the shape of Italian modernism: a systole and diastole between innovation and tradition. Particularly in the 1950s and '60s, Italian artists had a way of talking raw but painting cooked. In the early '50s, when Alberto Burri began to exhibit his paintings assembled from torn sacks and burnt strips of wood, they looked as leprous as Dubuffets. Today they seem tender, full of regard for discarded things, and about as threatening as sunlight on an old wall; one realizes this was always part of their intent. Even the Italian artists dealing...
Italy's Alberto Burri, who began by charring panels of wood, now creates haunting images by scorching skeins of plastic; after all, since nature is in a state of constant metamorphosis, fire, which transmutes plastic's clarity into murk, is a legitimate artist's tool. Philip McCracken offers a long, narrow Plexiglas case, with five light bulbs lined up inside, four of them shot to bits and bullet holes piercing the case on either side of them. The piece seems to ask the question "When?" as the eye canvasses the damage already done and the mind awaits...
Decorative Futility? Although this split decision was diplomatically designed to please everybody, those few people who still think art prizes mean more than pumpkin pie awards at a county fair were hardly satisfied. Rio's O Globo labeled Burri's latest "the mere decorative futility of burnt holes in transparent plastic." Correio da Manha simply called the prizes "a scandal." Surely exaggerated, but the overall impact of the São Paulo Bienal was like that of most conventions-fatigue and confusion...