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Recipe for theatrical disaster: take a moldy 19th century German opera about a Faustian pact with the Devil and turn it over to a composer of hobo rock, a legendary writer from the Beat Generation, and a director who specializes in performance pieces for the art crowd. But don't...

Author: /time Magazine | Title: The Devil's Disciples | 12/6/1993 | See Source »

Burroughs delivers cheerless homilies with his usual gimlet-eyed glee: "You ever see a dog roll in carrion? Well now, a city boy see that and he might get tempted to join the dog . . ." The old hipster even indulges in a bit of moralizing, making a somewhat heavy-handed connection...

Author: /time Magazine | Title: The Devil's Disciples | 12/6/1993 | See Source »

Postmodern directors have been shaking up grand opera for quite a while, especially in European cities like Hamburg, where this production was first unveiled in 1990. But rarely has opera received a shaking like this. The victim is Carl Maria von Weber's Der Freischutz (The Free-Shooter). First performed...

Author: /time Magazine | Title: The Devil's Disciples | 12/6/1993 | See Source »

"Now, George was a good straight boy to beginwith," Waits mutters in "Crossroads," one of thetunes Burroughs wrote, "but there was bad blood inhim someway he got into the magic bullets and thatleads straight to Devil's work, just likemarrywanna leads to heroin."

Author: By Seth Mnookin, | Title: Human Oddities | 11/11/1993 | See Source »

Some pieces especially stand out. "November" isclassic Waits, melancholy and plaintive andbizarre all at the same time, and "Shoot the Moon"is just as good, with Waits gruffly promising thathe'll "shoot the moon right out of the sky, foryou baby."\And hearing Burroughs, seventy-nineyears old, mutter that "'t...

Author: By Seth Mnookin, | Title: Human Oddities | 11/11/1993 | See Source »

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