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Burroughs disassociates himself from the Beat movement, and writers like Kerouac. "I don't think I have very much in common with the other Beat writers from a literary point of view. You couldn't find two writers more different in their approach and style than myself and Kerouac." He...

Author: By Paul A. Attanasio, | Title: William Burroughs | 2/1/1980 | See Source »

The more recent books, The Wild Boys and Exterminator!, brought Burroughs closer to the literary mainstream--one might say of Exterminator!, as Burroughs said of In Cold Blood, that it could have been written by any staff writer on The New Yorker. The technique of "cut-up"-- Burroughs' application of...

Author: By Paul A. Attanasio, | Title: William Burroughs | 2/1/1980 | See Source »

BURROUGHS, like most writers who came up in the 50s, reacts to the grey-flannel uniformity and dehumanizing technology of the era, as personified in Dr. Benway in Naked Lunch. But he is no Miniver Cheevy. "In many ways of course everyone knows that life was more pleasant a hundred...

Author: By Paul A. Attanasio, | Title: William Burroughs | 2/1/1980 | See Source »

Asked whether art has a moral purpose, Burroughs shifted uneasily in his orange leatherette chair. "I don't know what you mean by that...Art is certainly concerned with the creation of values. I mean if it doesn't affect people, it hasn't accomplished anything. Naturally you're trying...

Author: By Paul A. Attanasio, | Title: William Burroughs | 2/1/1980 | See Source »

"I would say generally the aim of art--that is, painting, writing, and, in fact, all creative thought--is to make people aware of what they know and don't know that they know." Asked if he still subscribed to his artistic manifesto in Naked Lunch ("I am not an...

Author: By Paul A. Attanasio, | Title: William Burroughs | 2/1/1980 | See Source »

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