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...part on a whim and got it. "I became an actor out of curiosity," he said during a Kojak shooting break last week in Hollywood, "and at first my career was fascinating because the parts were varied." Savalas won an Academy nomination for playing a convict colleague of Burt Lancaster's in the 1962 movie Birdman of Alcatraz. The studios then typecast him in a long series of heavy roles, notably the swinish pervert in The Dirty Dozen (1967). When Hollywood sagged as a film center in the '60s, Savalas moved his wife Lynn and their three daughters...

Author: /time Magazine | Title: Television: A Polish Sherlock | 12/31/1973 | See Source »

...Action, like a low-grade, seedy shoot-'em-up. Dalton Trumbo's script is based on a story written in part by Mark Lane, the lawyer and assassination-conspiracy buff. Real names of persons and places are used except where they would be most crucial. The conspirators-Burt Lancaster, Robert Ryan, Will Geer and John Anderson among them-are assigned fictional names, but only the vaguest identides. Ryan, the force behind the plot, is wealthy; Lancaster apparently is a maverick intelligence operative; Geer, an elderly man who has oil interests. Such sketchiness satisfies the requirements of neither history...

Author: /time Magazine | Title: Cinema: Tragedy Trivialized | 12/24/1973 | See Source »

PROMISES, PROMISES, by Burt Bacharach and Neil Simon and all those people. Mostly unfulfilled, according to The Crimson. Benefits Radcliffe Grant-in-Aid. 8 p.m. at Agassiz...

Author: NO WRITER ATTRIBUTED | Title: stage | 11/15/1973 | See Source »

...VIRGINIA, there really is a Helen Gurley Brown, and her Cosmopolitan girl thrives wildly these days at Agassiz Theater. Radcliffe-Grant-in-Aid plays the part of the protective mother who can't hold back her ambitious child in its current production of the Burt Bacharach-Hal David-Neil Simon office party, Promises, Promises...

Author: By Kathy Garrett, | Title: Promising Promises Unfulfilled | 11/3/1973 | See Source »

...STONE KILLER stars Charles Bronson, who will not go away. It was directed by the equally persistent Michael Winner, who spins out at least a couple of features a year, most recently a vehicle for Burt Lancaster (Scorpio) as well as another one for Bronson (The Mechanic). Here Winner attempts to counterbalance Branson's concrete immobility by immersing him in a plot full of flash and frenzy. It is a mostly futile effort. The script, about a rogue cop, is patterned closely enough on Dirty Harry to be called Grubby Lou. There is a series of slaughters, apparently having...

Author: /time Magazine | Title: Cinema: Quick Cuts | 10/8/1973 | See Source »

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