Word: burtonizing
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...Mader, Anne Constable Paris: Christopher Redman, Margot Hornblower Brussels: Adam Zagorin Bonn: James O. Jackson Rome: Cathy Booth Eastern Europe: John Borrell Moscow: John Kohan, Ann Blackman Jerusalem: Jon D. Hull Cairo: Dean Fischer, William Dowell Nairobi: Marguerite Michaels Johannesburg: Scott MacLeod New Delhi: Edward W. Desmond Beijing: Sandra Burton, Jaime A. FlorCruz Southeast Asia: William Stewart Hong Kong: Jay Branegan Bangkok: Ross H. Munro Seoul: David S. Jackson Tokyo: Barry Hillenbrand, Seiichi Kanise, Kumiko Makihara Ottawa: James L. Graff Central America: John Moody Rio de Janeiro: Laura Lopez...
...Mader, Anne Constable Paris: Christopher Redman, Margot Hornblower Brussels: Adam Zagorin Bonn: James O. Jackson Rome: Cathy Booth Eastern Europe: John Borrell Moscow: John Kohan, Ann Blackman Jerusalem: Jon D. Hull Cairo: Dean Fischer, William Dowell Nairobi: Marguerite Michaels Johannesburg: Scott MacLeod New Delhi: Edward W. Desmond Beijing: Sandra Burton, Jaime A. FlorCruz Southeast Asia: William Stewart Hong Kong: Jay Branegan Bangkok: Ross H. Munro Seoul: David S. Jackson Tokyo: Barry Hillenbrand, Seiichi Kanise, Kumiko Makihara Ottawa: James L. Graff Central ! America: John Moody Rio de Janeiro: Laura Lopez...
...potentially powerful play that slips easily into the cliched with Balsam's poor directing job. Benjamin, Krischer and Gaspardo seem to have no idea how to treat these themes. The fourth cast member, Allan Barton, playing Anna's monied lover Burton, seems equally ill-equipped to tackle the problems of modern life which Wilsor's play addresses...
...character is a dancer, She wobbles in high heels, is painfully unflexible when she stretches and moves awkwardly through the all-too-generous stage space. Anna is supposed to be a fragile artist who feels deeply. Onstage, however, she is little more than vapid. Her love scenes with Burton or Pale are universally devoid of sexual energy, and the eventual fade-out to tinny music is welcome...
Barton, playing Burton, is little help in the matter, given now dispassionately he plays his character. When he comes on stage, he strokes his chin in a failed attempt to seem the deep, pensive writer. But when he refers to his work, he is uninspired...