Word: burtonizing
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Jaques (also Shakespeare's invention), the cheerless square peg in a round hole, reflects the Elizabethan era's fascination with neurotic states of mind (as in the plays of Ben Jonson), which would climax a few years later in the publication of Burton's huge Anatomy of Melancholy. Jaques is the counterpart of Malvolio in Twelfth Night, which Philip Kerr played so admirably here two years ago. Kerr is now imbuing Jaques with the same wide-stanced, pigeon-toed gait he used for Malvolio. To this he has added a wonderful pasty face and a hilarious mannerism of gargling...
...cover picture for the July 12 issue had been printed, and TIME's managing editor gave the order to stop the presses and reopen the magazine. Within minutes, the needed staff began assembling on the 25th floor of the Time & Life Building in Rockefeller Center, including Associate Editor Burton Pines, who had written the prerescue version of the hijacking story, Reporter-Researcher Sara Medina and Jerusalem Bureau Chief Donald Neff, who happened to be in New York. Neff maintained phone contact with Halevy, getting details of the story in spite of interruptions from a wary Israeli censor who listened...
...Associate Editor Peter Stoler has won a Special Achievement award from the Sigma Delta Chi Deadline Club for the cover story "Hypertension: Conquering the Quiet Killer." Three other TIME staffers and contributors last week received Page One awards from the Newspaper Guild of New York. They are: Associate Editor Burton Pines, for a report on the growing conflict between rich and poor nations; Photographer Dirck Halstead, for his color treatment of new international beauties; and Photographer Ken Regan, for his color photos of Boxer Chuck Wepner. The Newspaper Guild of New York also presented TIME itself with an award...
Remember Cleopatra-that wildly ballyhooed Elizabeth Taylor-Richard Burton extravaganza of 1963? Executives of 20th Century-Fox wish they could forget; the movie cost $41 million to make, but has taken in considerably less than that at the box office. Yet much of the movie industry is acting as if it has in fact forgotten the big-budget flops that brought several major studios to the brink of financial ruin in the 1960s. Once again, studio heads-this time backed by the resources of conglomerates that have bought up most of the studios-are pouring huge sums into feature films...
Logic notwithstanding, studios are increasingly grabbing for the brass ring. Warner Brothers last week began production of Exorcist II, starring Richard Burton. Initial budget: $10 million. Next year Warner will release two new megadisaster flicks produced by Irwin (Towering Inferno) Allen: The Swarm (bees do it) and The Day the World Ended. Each will cost well over $12 million. Paramount has in the works Dino De Laurentiis' remake of King Kong ($16 million or so). United Artists will ultimately release a version of Cornelius Ryan's tome on World War II, A Bridge Too Far, produced by Joseph...