Word: burtonizing
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STAIRCASE. There are two good reasons to see this film version of Charles Dyer's play, and they are Richard Burton and Rex Harrison. Portraying a bickering, desperate homosexual couple on the brink of old age, both men turn in their best screen performances in years...
...ordinary theatergoer, the new season brings the hope of reliving some enchanted theatrical evening of the past. For the actor, the new season holds out the hope of a breakthrough to fame -after which he tends to abandon the theater like a Brando or a Burton. The producer nourishes the hone of a croupier to rake in the chips. The backer, that garishly garbed seraph who roots for his cash on opening night with cacophonous enthusiasm, hopes for some sort of glittering new social credential and the consolation prize of a virtually guaranteed tax loss. The critic approaches...
STAIRCASE. Rex Harrison and Richard Burton portray two bickering homosexuals struggling with middle age and loneliness. This unobtrusive film never yields to the temptation to play its two deviate characters for laughs...
STAIRCASE. Rex Harrison and Richard Burton portray two bickering homosexuals struggling to stave off old age and loneliness in this unobtrusive film that never yields to the temptation to play its two deviate characters for laughs...
Adapted to the screen by Charles Dyer from his play, Staircase is a static, placid film in which the camerawork is subdued. Its strength is in its two key players. Each being determined, perhaps, to do his best acting before a peer, Burton and Harrison give firmly disciplined, finely delineated performances of undeviating honesty. Burton has rarely immersed himself in a part to the extent that one could forget he was Richard Burton, but he does it this time. Harrison has often seemed to be acting before a mirror rather than a camera. In Staircase he is acting before...