Word: burtonizing
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...adds up to strange jazz, and the strangest thing of all is that the Gary Burton Quartet makes it work brilliantly. The four-Vibraharpist Burton, 25, Guitarist Larry Coryell, 24, Bassist Steve Swallow, 27, and Drummer Bob Moses, 20-have been together only since July. Already they have caught on not only with hard-core jazz buffs in clubs from New York to Los Angeles but also with rock-oriented youngsters on college campuses and in San Francisco's Fillmore Auditorium. Their concert last week in Manhattan's Carnegie Recital Hall confirmed that jazz has found two major...
...rather than individual. Sorting like musical pack rats through a patchwork of influences, they piece together witty collages that throb with asymmetrical rhythms and fierce intensity, yet never neglect an unashamed capacity for lyricism. "We are playing jazz that represents our particular generation, time of life and background," says Burton. "The people who have been the major influences for the past five to ten years are now getting to be over 40. We're less traditional than they are, but we're not out to destroy traditions like some avant-garde players. We have very little reservation about...
Hair Down. Burton's blithe eclecticism started when he began adapting violin and piano music to the vibes and marimba, which he had taken up at the age of six. At eleven, he organized his father, brother and sister into a band that performed around their home town of Princeton, Ind. Later he went on to absorb jazz in club dates at nearby Evansville, country music in recording sessions at Nashville, and classical composition at Boston's Berklee School of Music...
...sideman with George Shearing and Stan Getz, Burton looked and acted like an earnest graduate student. He had a polished vibes approach that was based on the flowing style of the Modern Jazz Quartet's Milt Jackson, but he still felt that his musical personality was as neatly buttoned down as his collar. So he went on his own, decked himself out in the Custer buckskins, and literally let his hair down. "I felt I should get my personality across to people," he says. "All short haircuts look the same, but no two long ones...
...worst is Elizabeth Taylor, who has a series of walk-ons mostly meant to exemplify lust. Her makeup varies from Greek statuesque to a head-to-toe spray job of aluminum paint. When she welcomes Burton to an eternity of damnation, her eyeballs and teeth are dripping pink in what seems to be a hellish combination of conjunctivitis and trench mouth. Mercifully mute throughout, she merely moves in and out of camera range, breasting the waves of candle smoke, dry-ice vapor and vulgarity that swirl through the sets...