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...Burton followed up on his musical improvisation with a detailed explanation of his views on collaborative creativity and "music as language...

Author: By Edward B. Colby, CONTRIBUTING WRITER | Title: Grammy Winner Jams at GSE | 3/12/1999 | See Source »

...have to stop and think. And in fact, there's no time to think," said Burton, describing his live improvisational performances...

Author: By Edward B. Colby, CONTRIBUTING WRITER | Title: Grammy Winner Jams at GSE | 3/12/1999 | See Source »

...Burton also addressed the mental aspect of musical improvisation, outlining three stages of development. Initially, he said, beginning musicians play completely consciously, paying attention to technique and trying not to make mistakes...

Author: By Edward B. Colby, CONTRIBUTING WRITER | Title: Grammy Winner Jams at GSE | 3/12/1999 | See Source »

...Burton's ease on stage was apparent, leading one audience member to describe his playing as "Zen-like detachment...

Author: By Edward B. Colby, CONTRIBUTING WRITER | Title: Grammy Winner Jams at GSE | 3/12/1999 | See Source »

...Burton also performed selections by Miles Davis, James Williams and Ozone during the evening. Following an encore piece, the audience gave him a standing ovation...

Author: By Edward B. Colby, CONTRIBUTING WRITER | Title: Grammy Winner Jams at GSE | 3/12/1999 | See Source »

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