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Robert Goulet, the original Lancelot, plays the Richard Burton role of the nobly cuckolded Arthur, a perennial boy transmuted into a saint. At 60 and looking it -- especially when moving as if in a back brace -- Goulet is two decades too old. Patricia Kies gushes out the girl Queen's politically incorrect ignorance and submission while appearing old enough to play Hamlet's mother. As Lancelot, Steve Blanchard sounds like the voice-over from a cartoon and cavorts with an odd hip swivel, as if ready at any moment to start dancing the twist. James Valentine's doubling of Merlyn...
BUREAUS: Suzanne Davis (Director of Administration) Chief Political Correspondent: Michael Kramer Washington Contributing Editors: Stanley W. Cloud, Hugh Sidey Senior Correspondents: David Aikman, Jonathan Beaty, Sandra Burton, Barry Hillenbrand, J. Madeleine Nash, Frederick Ungeheuer, Bruce van Voorst, Jack E. White...
...Simpsons, the networks stormed the animation houses for other prime- time cartoons. Most of the promised shows never materialized (The Pink Panther) or came and went in a Road Runner minute (Capitol Critters, Fish Police). None, however, carried higher expectations than Family Dog, based on an episode that Tim Burton (Batman) directed for Steven Spielberg's Amazing Stories series. So excited was CBS that it devoted much of its valuable commercial time during the 1991 Grammy Awards to promoting the show, which was scheduled to start that March...
...series was postponed at the last minute when Burton and Spielberg were reportedly unhappy with the animation. Family Dog was sent back to the shop, and what followed was a two-year odyssey in which the missing series became a running gag between TV reporters and network programmers. Now, with a lack of fanfare that would be mystifying if it weren't so revealing, Family Dog is finally being let out of the kennel for a summer run, when the only significant viewer reaction is likely to be a puzzled, What was all the fuss about...
...cartoons (especially The Simpsons) are largely dialogue- driven; a more stylized, visual cartoon like Family Dog is probably doomed without the sort of animation care that TV budgets don't permit. Second, big- name filmmakers venturing into TV need to do more than simply lend their big names. Burton and Spielberg, it seems, did little for Family Dog except use their clout to get it on the air. One expected more...