Word: busch
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Dates: during 1930-1939
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Mozart: Don Giovanni (Glyndebourne Festival Opera Company, Fritz Busch conducting; Victor: 3 volumes, 46 sides). Though issued last spring to record-collectors, the Glyndebourne recording of Mozart's greatest opera waited until this month for its official release. Perfect teamwork and exquisitely styled singing by Baritone John Brownlee and Soprano Louise Helletsgruber help to make it the year's most notable record...
...owner of Glyndebourne Manor. A lifetime lover and patron of music, a constant attender at the Salzburg and Bayreuth Festivals, Captain Christie long had an ambition to establish an operatic festival of similar quality in England. In 1933 at Copenhagen he unfolded his scheme to round-faced Conductor Fritz Busch, German political exile and famed former conductor of the Dresden Opera. Enthusiastic Maestro Busch called in the help of his expatriated countryman, Stage Director Carl Ebert. With Austrian Impresario Rudolf Bing as General Manager, the first Glyndebourne opera season was launched. It lasted two weeks; the audience for the opening...
Divorced. Arthur D. B. Preece, British-born St. Louis sportsman; by Alice Busch Hager Preece, daughter of the late St. Louis Brewer August Anheuser Busch Sr.; in St. Louis. Grounds: cruelty. Two years ago Sportsman Preece was divorced from Lily Busch Magnus, his second wife's second cousin...
Next day at Manhattan's Town Hall two able but unballyhooed musicians, Adolf Busch and Rudolf Serkin, played the same work exquisitely. Only a few hundred mousy music-lovers went to hear them, but in the gallery, listening appreciatively, was sharp-eyed Maestro Toscanini...
...Toscanini planned to conduct it four times. Of the 27 performances scheduled Toscanini would direct twelve, two more than Conductor Bruno Walter. To Walter was allotted Mozart's Don Giovanni and Marriage of Figaro, Gluck's Orpheus and Eurydice, Weber's Euryanthe. Conductor Hans Knapperts-busch, new to Salzburg, had the cards stacked in his favor. Rosa Pauly was to sing the title role in his production of Strauss's Elektra and nobody alive is better qualified. For the Marschallin in Strauss's Der Rosenkavalier, he was to have Soprano Lotte Lehmann...