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Lovis Corinth, whose hundredth anniversary exhibition is now at the Busch-Reisinger, shares much the same fate. Corinth, of course, shows the experience which the young Shimizu lacks, but often not enough when the chips are down...

Author: By Paul W. Schwartz, | Title: Yoshiaki Shimizu | 12/6/1958 | See Source »

However, there are more tangible indications of the lowly status of the University's speech training. The speech department has only one position of tenure; the department itself is relegated to inadequate facilities on the third floor of the Busch-Reisinger Museum. Even if the interested student surmounts all these obstacles his tutor often advises him not to take a speech course...

Author: NO WRITER ATTRIBUTED | Title: Breach in Speech | 10/18/1958 | See Source »

...Busch-Reisinger Museum of Germanic Culture Feininger is a German painter. At the Whitney Museum of American Art he is an American painter. The ambiguity, which is more than geographical, does him credit. It bespeaks the potencies of the individual...

Author: By Paul W. Schwartz, | Title: Lyonel Feininger | 10/8/1958 | See Source »

...selection of oils and watercolors at Busch-Reisinger this month looks especially good. Feininger's ocean canvases contain all the architecture of his cathedral paintings. Their crispness remains taut and concise without suffering that mechanical rigor mortis which lurked in such abundance in the ranks of the Bauhaus. If this is German art, it is German in the sense that it pursues the kind of gentle lyricism which illuminates the music of Haydn, and in that it follows the path of classical rectitude which soars so in Bach. Happily, these works are devoid of the more histrionic and sentimental aspects...

Author: By Paul W. Schwartz, | Title: Lyonel Feininger | 10/8/1958 | See Source »

...some three weeks, a team of workmen from Zandamm, Holland, whom simply no one could understand, assembled the new modern classical organ over at Busch-Reisinger Museum. An auspicious event for music lovers and musical instrument lovers, its christening featured E. Power Biggs and free drinks for all. A late afternoon sun streamed through the windows and onto the stone floor of Romanesque Hall as groups of organists, German professors, and "friends of Busch-Reisinger Museum" clustered excitedly. Voices drifted between the hor d'oeurves...

Author: By Stephen C. Clapp, | Title: The Music Makers | 9/27/1958 | See Source »

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