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...addition, one side is devoted to works for men's voices, and these, because of either the acoustics of Busch-Reisinger or the chorus' composition, have a propensity to descend into the cellar, producing a sort of grovelling and definitely un-vocal tone...

Author: By Paul A. Buttenwieser, | Title: Sacred Polyphony | 5/9/1958 | See Source »

...according to school, cult, period, or what-have-you, but along lines of that universal artistic ideal which Malraux termed "the museum without walls." The old categorical approach is usually used, however, if not out of sheer inertia, at least for convenience's sake. For the current exhibition at Busch-Reisinger, however, the old method is most appropriate, for there are precious few canvases in the whole lot which transcend their particular philosophy, genre or gestalt...

Author: By Paul W. Schwartz, | Title: Deutsche Kunst II | 4/30/1958 | See Source »

...BREWER is again Anheuser-Busch, which lost title to Schlitz...

Author: /time Magazine | Title: Time Clock, Feb. 17, 1958 | 2/17/1958 | See Source »

...exhibition is especially interesting in other respects as well. It falls between two shows at Busch-Reisinger of German art of the twentieth century in Harvard collections, an art which is being shown more and more at the moment. The comparison, in terms of quality, is an unfair one. Picasso's oft misquoted statement of how unimportant he feels next to the Spanish masters of the past, testifies to this. But a comparison of the newly hailed German expressionism with the fifteenth century group is as significant for the resemblances which unite them as for the genius which separates them...

Author: By Paul W. Schwartz, | Title: Graphic Masters | 1/22/1958 | See Source »

...Durer is by no means without emotion, but emotion only in the highest sense of the word, a deeply felt compassion without recourse to sentimentality. Busch-Reisinger, these days, is a good place to rediscover the difference between pathos and bathos in the arts, as well as to see a first rate exhibition...

Author: By Paul W. Schwartz, | Title: Graphic Masters | 1/22/1958 | See Source »

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