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...semi-finalists are to report to the top floor of the Busch-Reisinger Museum in two groups on Monday. March 17. Those to speak at 1:00 are: Walter C. Carrington '52. Theodore L. Gershuny '51, James M. Harkless '52, John M. Kettlewell '52. Bernard M. Makihara '53, Burton G. Malkiel '54, Marvin E. Mazie '52, and Robert C. Mello...

Author: NO WRITER ATTRIBUTED | Title: 15 Contestants Reach Boylston Semi-Final | 3/13/1952 | See Source »

Divorced. August A. Busch Jr., 52, hereditary president of Anheuser-Busch Inc. (Budweiser beer) ; by Elizabeth Overton Dozier Busch, 56, who also won a $1,000,000 financial settlement after charg ing him with "general indignities," desertion in 1945; after 18 years of marriage, two children; in St. Louis...

Author: /time Magazine | Title: Milestones, Mar. 3, 1952 | 3/3/1952 | See Source »

...first floor balcony of the Busch-Reisinger Museum, six mannequins pose in costumes one might expect to see either at the Mardi Gras or on the Tom Corbett Space Cadet television program. One of the dummies sports a mask composed of a Chinese red semi-sphere and what looks like one half of a stone arrowhead with a black eye hole in the center. One of his arms is a lance, surrounded by a bell-like guard. The other arm, wearing skin-tight silk encased in a gourd shaped sheath, holds a golden club. The remaining five costumes, all designed...

Author: By Michael Maccoby, | Title: On Exhibit | 1/15/1952 | See Source »

...architecture. The school was formed and headed by Walter Gropius. And from its inception in 1919 until 1933 when the Nazis closed the school, the Bauhaus made the most startling and the most widely copied innovations in both functional art and art teaching techniques. The exhibit currently at the Busch Reisinger Museum is actually but a small part of the Bauhaus show now in Boston. The rest, which mainly accentuates the work of Dr. Gropius, is at the Institute of Contemporary...

Author: By Michael Maccoby, | Title: On Exhibit | 1/15/1952 | See Source »

Perhaps the best known among the Bauhaus painters represented at the Busch-Reisinger in Paul Klee. In the last few years his colorful, semi-cubist abstractions have become more and more popular. Besides some of these oils there are a few delicate lithographs and an especially interesting etching entitled, "The Miser." In this work Klee employed a technique which he used successfully in some of his other etchings, that of two faces registering opposite emotions superimposed on each other. One face wears the expression the world sees, the other that of the subject's own personality...

Author: By Michael Maccoby, | Title: On Exhibit | 1/15/1952 | See Source »

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