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...Landmark Pictures," currently at the Busch-Reisinger, artists Ed Ruscha and Andreas Gursky maintain that precious, otherworldly estrangement in chronicling the very ordinary. Ruscha, in fact, literally takes us into the plane with him in his series "34 Parking Lots in Los Angeles." Shot aerially, their meticulously drawn lines, directional arrows and predictably spaced gas stains are suddenly mesmerizing--and humorous. One stand-out is the photograph of the Dodger Stadium parking lots: emanating radially from the stadium like the leaves of an artichoke, they are at once industrial and organic. Ruscha's painted evocations of Los Angeles' grid-like...

Author: By Jeni Tu, CONTRIBUTING WRITER | Title: DemiMundane: Ruscha's and Gursky's Unreal Cities | 1/14/2000 | See Source »

...surrogate home of Mark Rothko's mythical Harvard murals. Unlike its fellow occupants, the Rothko murals, wrapped twice over in heavy, light-blocking plastic, have emerged only two times for public view, once in 1988 and more recently in 1993, since their initial storage in 1979 in the Busch-Reisinger Museum...

Author: By Teri Wang, CRIMSON STAFF WRITER | Title: Harvard's Color Fields in the Forest | 12/3/1999 | See Source »

Other companies, such as Anheuser-Busch, are airing commercials promoting responsible drinking and designated drivers, according to Francine I. Katz, vice president of consumer affairs for Anheuser-Busch...

Author: By Benjamin P. Solomon-schwartz, CONTRIBUTING WRITER | Title: Clinton Appears in Announcment Encouraging Y2K Designated Driving | 11/30/1999 | See Source »

...BUSCH-REISINGER MUSEUM...

Author: By Annie Bourneuf and John Hulsey, CONTRIBUTING WRITERSS | Title: The Field Guide: Part One of Our Guide to Boston Visual Art | 10/29/1999 | See Source »

...Originally the Museum of Germanic Art, the Busch-Reisinger has accumulated over the past century an impressive holding of post-1880 German art with a particular emphasis on German Expressionism. The stark curation and sparing use of didactic wall texts are appropriately austere, boldly offsetting the colorful effusiveness of Gerhard Richter and the restrained hysteria of Max Beckmann. Also notable is a series of Bauhaus paintings (including works by Malevich and El Lissitsky), a pair of Jawlensky portraits, and an unusual Klimt. Currently on display is a collection of works by Hannah Darboven, touted by the curatorial staff...

Author: By Annie Bourneuf and John Hulsey, CONTRIBUTING WRITERSS | Title: The Field Guide: Part One of Our Guide to Boston Visual Art | 10/29/1999 | See Source »

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