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...price of a good seat at an Atlanta Braves game, you can buy a $17.50 share of Turner Broadcasting, which along with the cable and other stuff makes you the owner of 58 cents worth of the Braves and the Atlanta Hawks. For a $50 share of Anheuser-Busch, you get 39 cents worth of the Cardinals; and for a $60 share of the Tribune Co. in Chicago, you get $1.84 worth of the Cubs, not that you would want it, but some people are masochists. With Disney, your $42 gets you 9 cents worth of the Ducks...

Author: /time Magazine | Title: On the Money: Rooting for the Federal Expresses | 5/30/1994 | See Source »

...Busch-Reisinger Museum. Through April 24. "Danish Paintings of the Nineteenth Century from the Collection of Ambassador John L. Loeb Jr. " Features works by several masters of Danish...

Author: NO WRITER ATTRIBUTED | Title: This Week at Harvard | 4/7/1994 | See Source »

...Busch-Reisinger Museum. Through April 24. "Danish Paintings of the Nineteenth Century from the Collection of Ambassador John L. Loeb Jr." Features works by several masters of Danish...

Author: By Kelly T. Yee, | Title: This Week at Harvard | 3/17/1994 | See Source »

Minister Farrakhan may be rightly upset that antislavery activism was not predominant among the 150,000 Jews then in America, or that there is no record of any Southern rabbi who publicly criticized slavery -- but there were militant Jewish abolitionists (including Northern rabbis) such as Isidor Busch, Michael Helprin, Rabbi David Einhorn and August Bondi (who fought with John Brown). The expulsion of Jews from Tennessee by Ulysses S. Grant's Order No. 11 in 1862 and new waves of poor East European Jews would yield a more antiracist activism among American Jewry. But even though Minister Farrakhan's anti...

Author: /time Magazine | Title: How Do We Fight Xenophobia? | 2/28/1994 | See Source »

Part of the responsibility for this failing must fall on Ambassador Loeb, who has assembled an amateur, private collection rather than definitive scholarly statement on Danish painting. But Peter Nisbet, the curator of the Busch-Reisinger, should have made a more coherent selection from Loeb's collection. With some nobel exceptions, nineteenth century Danish painting cannot sustain an exhibition on aesthetic genius alone...

Author: By Edward P. Mcbride, | Title: Not So Great Danes | 2/3/1994 | See Source »

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