Word: busey
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Dates: during 1980-1989
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Nelson is Barbarosa, an aging outlaw who has grown tired of living up to his 30-year legend. Gary Busey plays (engagingly, as always) a renegade farm boy who wants to be part of that legend and, if he can, extend it into Western myth. For all its genre trappings, Barbarosa is essentially a comedy about friendship; both the humor and the amity are infectious. Australian Director Schepisi (The Chant of Jimmie Blacksmith) uses his telephoto lens to caress the rugged vistas and visages of West Texas like a melancholy lover. Time-lapse shadows lope across a mountain range, eloquently...
Whether it be in the lecture hall sharing his morass of knowledge on insects, or in the laboratory he developed encouraging and supporting student research, or at his daily afternoon was sporting intellectual dilemmas ranging from international politics to the reproductive habits of gypsy moths, Carroll M. Williams, Busey Professor of Biology, is a Harvard institution. Munching on a supply of hot peppers while sitting in his office, he displays in a distinctive Southern drawl his extensive repertoire of collected facts and stories spanning his 45 years at the University. He recaptures, as if they occurred yesterday, the lives...
...standard triangle tale of love, jealousy and reconciliation. No freaks, no geeks-just two pals and a nymphet with a heart of gold. All that is left is the oldtime star power of the lead performers: Robertson, with his motel-room eyes and a voice like pure nicotine; Gary Busey, strong and lovable behind his goony, gummy smile; and Jodie Foster, poised for a swan dive into young womanhood. Look at Foster's face now-a fascinating mask of planes, points and dumpling cheeks-and you see her potential for turning into Meryl Streep or Angela Lansbury...