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...Semisonic toured, opens a good-humored conversation about an often overlooked side of fame. Neither dominating pop culture for any substantial amount of time nor laboring away without any success, Semisonic and Slichter have walked a much more subtle path. The stories he has to tell of the music business?? endless convolutions are not quite sordid, but neither are they ever boring—Slichter’s voice is vicariously thrilling at the highs even as it chronicles the maddeningly banal roadblocks to chart domination...

Author: By Simon W. Vozick-levinson, CRIMSON STAFF WRITER | Title: Semisonic Drummer Pens Memoir | 7/9/2004 | See Source »

Across from Nini’s Corner, Cross, the 158-year-old pen company, launched its first ever stand-alone shop five weeks ago. The store was so popular on its first day of business??1,500 visited—that it stayed open an extra half hour...

Author: By Joseph M. Tartakoff, CRIMSON STAFF WRITER | Title: Felipe’s In, Poetry Out for Square Shops | 6/10/2004 | See Source »

...Perceptionists and playing his own cover of Tupac’s “I Get Around” as well as backing up Murs throughout his set. Shock emerged from behind his decks and keyboards to play himself and alter ego Humpty Hump on “Risky Business?? from Murs’ Def Jux debut, The End of the Beginning...

Author: By Andrew R. Iliff, CRIMSON STAFF WRITER | Title: Def Jukies Rile Middle East Audience | 5/7/2004 | See Source »

...grandson of the Pulitzer-Prize-Pulitzer, had a breakdown, spent the requisite New York woman’s time in a mental institution (her friends called it Bloomingdale’s), and upon release was told that her cure would be to find a hobby, start a business??anything. The million-dollar advice for Lilly was to simply do something...

Author: By Lisa M. Puskarcik, CRIMSON STAFF WRITER | Title: My Lilly’s Too Pinkalicious | 4/30/2004 | See Source »

Whereas the likes of Madlib are celebrated for how creatively they can flip samples, Kanye sticks his neck out—stretching and fitting them together into sweeping intros, ornate choruses and hooks aplenty (best example: “Family Business??). He makes the art more like a genuine songcraft, for better or worse—no riff or melodic phrase repeats itself for long before it’s quickly interrupted or joined by new instruments...

Author: NO WRITER ATTRIBUTED | Title: Diamonds in the Rough | 3/5/2004 | See Source »

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