Word: bustedly
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Dates: during 1950-1959
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Bird baths & Bikes. On dusty tables and counters in the dark little shops lie Baccarat crystal, Sevres china, slightly used false teeth, kitchen gadgets, books, paintings, precious stones, carpets, birdbaths, old bicycle tires, bottles. A browser once found, between a bust and a bidet, Fragonard's painting, La Chemise Enlevée, and bought it for 20 francs; it is now worth millions of francs. Other lucky buyers uncovered original works sold in their impoverished days by Vlaminck, Cézanne, Utrillo, Modigliani...
Unrecognized Treasure Sir: Reading your article about the discovery of a Cellini bust by the De Young Museum of San Francisco [TIME, Oct. 61, I felt worse than a bridegroom reading the account of his wedding. At least the bridegroom gets his name mentioned. You omitted the fact that the bust languished in my Mond'art Galler ies, a nameless orphan, until Museum Director Walter Heil came along, gave it a name and parentage: Cosimo de Medici by Benvenuto ellini...
...resources, North Carolina is basically a maze of stamp-sized, undermechanized, undercapitalized farms. Its top crop is tobacco (more than half the U.S. output), which exhausts the soil, brings small profits to the farmer. North Carolina's manufacturing is largely in textiles, a low-wage, boom-or-bust industry. Among the states, North Carolina stood No. i in the number of farm residents (1.4 million), No. 48 in the average weekly earnings of manufacturing workers ($47.88). It was clear to Hodges what North Carolina needed. "We had to get our farmers to diversify, to go into other businesses...
Hollywood Housewife Anna O'Callaghan Kashfi Brando was burned, burned, burned with her husband. Last week, less than a year after her sudden marriage to Actor Marlon Brando, Anna announced that she and Marlon were bust. Sighed she: "I can no longer take his indifference and his strange way of living." Commented Hollywood Seer Hedda Hopper: "He has a terrific following among members of the Beat Generation. He loves the adulation of a mob. After that, going home to a family must seem humdrum." Thus the handy Beat Generation label, a device more literary than lifelike that has been...
After Cellini's death the bust apparently lost its identity; since 1791 it has been owned by an English noble family that could not prove its authenticity when forced by circumstances to sell it to a U.S. collector. Heil's conclusion: "It is completely in the personal style of Cellini, and so unique in craftsmanship that nobody but Cellini could have done...