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...Cort's Max, while as wide-eyed and clumsy as Buster Keaton, fails to add the vibrant punch that his mordant Harold could not escape. Nor does love interest Samantha Eggar provide anything more than good, solid acting...

Author: By David Frankel, | Title: School Days | 8/8/1980 | See Source »

There is also new information about the era's most famous flameouts (D.W. Griffith, Buster Keaton, Erich von Stroheim) and the best-documented veterans (Gloria Swanson, King Vidor, Lillian Gish). Even the trivia somehow does not seem trivial. It is touching to hear Frank Capra recall Mack Sennett's sad mansion full of unread books and overdressed servants. Director Henry Hathaway, who remained active past True Grit (1969), wittily brings back the days when his job was to follow DeMille around with a chair on location. A writer remembers the shock of seeing her credits on a silent...

Author: /time Magazine | Title: Books: While the Parade Went By | 5/5/1980 | See Source »

...standard yuk in 1930s movies was the moment when a pair of closet doors would open and a Murphy bed would come crashing down on someone's head. Over the years, the bed's Buster Keaton image hurt sales so badly that the Murphy Door Bed Co. Inc. of New York City began making kitchen cabinets. But with apartment rents soaring, the fold-ups are making a comeback among folks seeking to make the most of their living space. The company last year racked up a 15% increase in sales of its beds, which go for anywhere from...

Author: /time Magazine | Title: Odds & Trends: Odds & Trends | 2/25/1980 | See Source »

...Sennett at D.W. Griffith's Biograph studios in New York. Sennett and Mabel Normand carry on their Keystone Kops love affair; Harold Lloyd simulates climbing the side of a building on a facade laid flat on the floor; Fatty Arbuckle takes a blueberry pie in the face; and Buster Keaton gives Charlie Chaplin costume advice for a tramplike character he hopes will make people laugh...

Author: /time Magazine | Title: Books: Roll 'Em | 12/31/1979 | See Source »

...This scorn for public taste seems distinctly 20th century. Beckett won't acknowledge the camera, and defies close-up. His wrinkles are far more impressive than W.H. Auden's; Beckett's struggle to cover the bone, Auden's are ornamental. It's a neat twist to find Beckett and Buster Keaton together in one photo (Keaton played the protagonist in Beckett's Film)--Keaton the supreme silent comedian, Beckett (equally a master of comedy) minimizing theatre toward a condition of silence...

Author: By Peter Swaab, | Title: Waiting for Photo | 12/13/1979 | See Source »

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