Word: busters
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Dates: during 1970-1979
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...human condition. Under Chaplin's direction, objects spoke out as never before: bread rolls became ballet slippers, a boot was transformed into a feast, a torn newspaper had a new career as a lace tablecloth. There have been more ambitious silent comedies than Chaplin's-Buster Keaton's The General combined yocks with the verisimilitude of Mathew Brady photographs; Harold Lloyd's and Ben Turpin's movies could wring as many laughs from an audience. But no one ever touched Chaplin's mute grace; no one ever approached the lyricism of his Eternal Immigrant...
Director Bogdanovich's intention here was to do a pastiche of '30s screw ball comedy, particularly of Howard Hawks' Bringing Up Baby, whose plot he lifted and whose blisteringly fast pace he attempted to emulate. He also borrowed from other sources as varied as Buster Keaton and Animator Chuck (Roadrunner) Jones. The result is a comedy made by a man who has seen a lot of movies, knows all the mechanics, and has absolutely no sense of humor. Seeing What's Up, Doc? is like shaking hands with a joker holding a Joy Buzzer. The effect...
Director Federico Fellini, "and there were aspects of Popeye and Wimpy in Buster Keaton." Fellini, who began his career in the '30s as a writer of adventure and science-fiction comics, has been an appassionato of the fumetti,*Italy's comic books, ever since he was a ragazzino, and admits that the comics probably gave something to his own moviemaking. Says he: "A sense of the comic and the humorous in my films, wonder, and a feeling for the fantastic-maybe these came from the comics I read as a little...
When a couple of heavyweights get together, something's got to give. In Houston, it was Phyllis Diller as well as Buster Mathis who landed on the canvas -though ex-Champ Muhammad Ali hardly seemed to notice. He might have been expected to express a little gratitude. Even flat on her back, Phyllis was the only other person who lent a little life to the well-publicized...
...THERE WHEN THE MOUNTAIN COMES TO MUHAMMAD declared the billboards in Houston. The come-on was as flabby as the contenders. Muhammad Ali, the walking billboard, was so uninterested in his twelve-round bout with bulky (256 Ibs.) Buster Mathis that he trained seriously only for nine days. Ali divested himself of a bit of doggerel ("I'll do to Buster what the Indians did to Custer"), but his heart was clearly not in it. Buster, whose last fight was a humbling loss to Jerry Quarry in 1969, was out to prove that...