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Instead, chronic complainers all, they blame Edward Gierek and the Soviets and tell bitter jokes to relieve the frustration. Like the one about the old woman who hobbles into a butcher shop and asks first for pork roast, then for lamb, then for veal. On being told that there is none, she storms out. "What a nuisance," gripes the first butcher. "Maybe," replies the second, "but what a memory...

Author: /time Magazine | Title: World: Poland: A Three-Class Society | 9/1/1980 | See Source »

...relatively tender age of 47. Foreign Minister Andrei Gromyko's son Anatoli, 48, was appointed director of the African Institute of the Soviet Academy of Sciences in 1976. Influence peddling-called blat in Russian-prevails at all levels of Soviet society, from the Kremlin down to the local butcher, who can set aside a choice cut of beef for a friend or perhaps his plumber-who will then come and fix his leaking pipes...

Author: /time Magazine | Title: The U.S.S.R.: How to Succeed by Really Trying | 6/23/1980 | See Source »

...Soviets call it living na levo-"on the left." At its simplest, it is nothing more than passing on to the local butcher tickets for a popular soccer game or concert in return for a good cut of meat; tipping off the plumber about a shipment of shoes that is due to arrive in a shop as payment for fixing a leaking pipe; or holding down a second job as a furniture mover or apartment painter. Na levo can and does, however, also extend to smuggling consumer goods in from the West, running a hidden factory, stealing state-owned materials...

Author: /time Magazine | Title: Business: Living Conveniently on the Left | 6/23/1980 | See Source »

...earlier Picassos, it becomes clear why his friends thought he had gone crazy, why the painter André Derain actually predicted that Picasso would hang himself behind the big picture. The painting is freighted with aggression, carefully wrought. The nudes are cut into segments, as though the brush were a butcher knife. Their look, eyes glaring from African-mask faces, is accusatory, not inviting. Even the melon in the still life looks like a weapon. The space between the figures is flattened, like a crumpled box: it was in this play of code between solid and void (one apparently as "tactile...

Author: /time Magazine | Title: The Show of Shows | 5/26/1980 | See Source »

Both rape and porn are based on a view of women as sex-machines. Images of women as pieces of meat, ready for the butcher's knife, are common. Women's bodies are shown not whole, but in pieces--chopped up, without heads, brains, personalities...

Author: By Ilana Debare and Kris Manos, S | Title: The Business of Degradation: Women and Pornography | 5/16/1980 | See Source »

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