Word: buting
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...fact, the films are often as interesting for what they forecast as what they express. Working in the 30s. Mary Ellen Bute was one of the first to use electronic imagery in film. The spinning, dancing line of her "Mood Contrasts" (1953) seems to embody the music which propels it in a manner reminiscent of the pulsing equalizers which inhabit so many videos. Bute especially wanted to make music visual, to give, as she states in "Rhythm and Light," "a modern artist's impression of what goes on in the mind while listening to music." Bute's witty...
Oskar Fischinger, an exceptional draughtsman and a refugee from Nazi Germany, also celebrated the vocation of music with film. His clean-lined shapes forsake any of Bute's occasional moodiness for a robust interpretation. Fischinger spent hours making the film "An Optical Poem" by filming suspended paper cut-outs. Using a chicken feather on a stick, and the young John Cage as an assistant, he moved exposure by exposure through a film whose vigor belies none of this inch-work. His use of symphony music and the theatrical quality of his compositions lend his short films the feel of Disney...
Shaw makes a convincing case for the rituals-as-rehearsals, identifying salient features such as mock crownings and infantile behavior as proto-revolutionary consciousness. When he analyzes the crowds' obsessive hatred for Lord Bute and the equally irrational love for John Wilkes, the author deftly negotiates the problem of proving the nebulous concept of evolving crowd psychology. But in his enthusiasm for his thesis. Shaw treads perilously close to overstatement, and tends to ignore other parts of the revolutionary consensus that should likely loom larger than they do in his book...
...bute--A horse doped legally with phenylbutazone that feels no pain despite its injuries. A good losing bet if the horse looks lame during warm...
...much obstinacy. Adds Waldegrave: "He has great command of his passions, and will seldom do wrong-except when he mistakes wrong for right." Lacking a father, George has always depended on older men for advice. Passionately attracted as a youth to the beautiful Lady Sarah Lennox, he let Lord Bute, his mother's favorite adviser and his own mentor, talk him out of marriage. "I submit my happiness to you," he wrote Bute, "who are the best of friends, whose friendship I value if possible above my love for the most charming of her sex." When Bute said...