Word: buts
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Dates: during 1990-1999
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"I was trying to honor the book, which is about a man who commits murder and isn't caught," Minghella says. "But I also wanted to investigate what that actually means. At the end of the film, Ripley is imprisoned by the consequences of his own action. There's a...
Minghella's Ripley is different, less sure of himself, more human, and thus reduced in stature. He lies to Dickie's father when he says he went to Princeton with the boy. He believes not in inspired improvisation, as the book's Ripley does, but in studying hard. In the...
The last two Ripley novels are slack, ungainly; Ripley is more prey than predator. But the first three (recently issued in a hardcover omnibus by Knopf/Everyman's Library) have the tone of high, dark comedy. Tom kills--Dickie, Dickie's pal Freddie Miles, an American art lover, a bunch of...
"I find the public passion for justice quite boring and artificial," Highsmith wrote, "for neither life nor nature cares if justice is ever done or not." But she cared for Ripley, her alter ego or attractive opposite. She attributed the first book's popularity to "the insolence and audacity of...
His creator's life was less charmed. A recluse with a prison matron's visage, she had several lovers, of both sexes, but was alone at the end with her cats and pet snails. Did this adopted doyenne of Europe resent being neglected back home? At her death, in 1995...