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Zellmann-Rohrer came to Harvard with very little experience in lighting design. “I had done some design in high school on a very small scale,” he explains, “but I never had any formal lessons. During my freshman spring I just started...
Zellmann-Rohrer has become an integral part of Harvard theater during the last four years. “Everyone in the theater here knows Michael,” Griggs says. “He can be kind of shy, but somehow he appears here and there around campus and shows...
Zellmann-Rohrer, a Classics concentrator in Mather House, says he plans to pursue a PhD in Classics after graduation and does not foresee a future in lighting design. “I don’t think I’m committed to do it professionally,” he...
The studio of Vi T. Vu ’10 is stacked with paintings. Vividly fluorescent animal and vegetal figures leap across dark backgrounds, multiplying in mirror images of each other. Look more closely, and strange themes begin to emerge: anthropomorphic shapes, images of violence and renewal, all come together...
The art reflects the artist. In the estimation of those who know her, Vu is a deeply sincere, rooted, and kind individual. This unique individuality stands out in Harvard’s competitive culture of networking and self-promotion. Vu is neither averse to nor solely motivated by exhibiting her...