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Lieberman attributes the most influence, however, to Helen Mirra, the artist and VES professor who taught Lieberman’s first sculpture class and advised her thesis this year. Mirra pushed the conceptual boundaries of Lieberman’s art, particularly regarding formal and material decisions in her sculpture work...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Rebecca Lieberman ’10 | 4/27/2010 | See Source »

This ubiquity does not necessarily encourage high-quality adaptations, and Linden says, “It’s done badly all the time.” He promises to give it a new angle. “We sort of recreated the show,” he says, ?...

Author: By Rebecca A. Schuetz, CRIMSON STAFF WRITER | Title: Godspell | 4/27/2010 | See Source »

Such lazy inertia, exemplified by a drawn-out pan of the pupils lying on the grass in sundresses on a summer day, is struck away with a vengeance, though, as “Cracks” turns nightmarish in its final act. Ultimately, the story is a sordid one. As...

Author: By Michael A. Yashinsky, CONTRIBUTING WRITER | Title: Cracks | 4/27/2010 | See Source »

But the aesthetic splendor proves, perhaps a little predictably, to be little more than a patina. The lips of schoolmistress Miss G (played with tense precision by Eva Green) are put to unspeakable use by their owners, and the shimmering water becomes the site of unhealthy competition amongst her students...

Author: By Michael A. Yashinsky, CONTRIBUTING WRITER | Title: Cracks | 4/27/2010 | See Source »

The performance of Green as the worshiped teacher and mentor carries this tension and gives weight to the disparity between the beautiful and the miserably ugly. Miss G acts the part of the charismatic leader, the model of enlightened womanhood to her girls, but the façade is never...

Author: By Michael A. Yashinsky, CONTRIBUTING WRITER | Title: Cracks | 4/27/2010 | See Source »

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