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“ODDSAC” opens upon a distraught girl alone in a wallpapered room. As heightening drum beats pound away, the girl begins to frantically tear wallpaper off the walls unleashing a profusion of slick mud, in a scene that invokes Perkins Gillman’s story ?...

Author: By Sarah L. Hopkinson, CONTRIBUTING WRITER | Title: NEW VISUAL ALBUM: The Sound and Fury of Animal Collective | 4/27/2010 | See Source »

“ODDSAC” seems to reject any objective analysis. Its reception is dependent upon whether one can accept the aesthetic eccentricity and allow oneself to be captivated by it. The film will attract endless speculation about its meaning, and its signification. But this misses the point. As...

Author: By Sarah L. Hopkinson, CONTRIBUTING WRITER | Title: NEW VISUAL ALBUM: The Sound and Fury of Animal Collective | 4/27/2010 | See Source »

The work displays a transcendence of the image-sound boundary, a transcendence which generates psychological disruption and shock in the viewer. But further than this analysis, we should not attempt to ponder. Any meaning the film has is what it arouses in the individual; there is no universal symbolism to...

Author: By Sarah L. Hopkinson, CONTRIBUTING WRITER | Title: NEW VISUAL ALBUM: The Sound and Fury of Animal Collective | 4/27/2010 | See Source »

“I’m pretty boring,” says Talisa B. Friedman ’10, who in reality, is anything but. Alongside Carolyn W. Holding ’10, she was recently awarded the Jonathan Levy Award in Drama by the Office for the Arts...

Author: By Victoria J. Benjamin, CONTRIBUTING WRITER | Title: Talisa Friedman '10 | 4/27/2010 | See Source »

Friedman got her start in South Africa, where she lived from the ages of eight to twelve. She started singing in a touring children’s choir, then auditioned for a show choir, which she credits with pushing her in a more theatrical direction. In high school she dabbled...

Author: By Victoria J. Benjamin, CONTRIBUTING WRITER | Title: Talisa Friedman '10 | 4/27/2010 | See Source »

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