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Lavieties Pavilion, Annenberg Hall, and Northwest Science Building are not exactly obvious venues for the blaring music and flashing lights of your average fashion show. The models are not from the pages of Nylon or the set of America’s Next Top Model, but from the room next...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

Eleganza, Identities, and Project East all participate in worldwide trends of cultural appropriation in couture, but they also redefine the relationship between fashion and the minority community. The particular aesthetic goals of these shows vary based on the nature of their individual relationships with ethnic communities on campus�...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

Jacqueline M. Boltik ’11, who sits on the board of the Harvard Vestis Council—a student organization devoted to exhibiting Harvard student designs—would agree. Although Vestis itself has no specific ties to minority communities, Boltik can understand the aesthetic sense behind these...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

Project East turns its sights on another industry stereotype: that Asian designers only make Asian clothing. “This is clearly generalizing and stereotyping, but I feel like when people think of an Asian designer, they assume dragons and kimonos,” says Kristin S. Kim â?...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

On the surface, the two creative directors’ segments of the show—an exploration of the growing phenomenon of androgyny and a fanciful study of the college campus in thirty years—appear similarly detached from cultural roots. “Both have this futuristic theme...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

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