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While such moments of enlightenment appear sporadically throughout, Mamet’s arguments lack any sense of nuance and his writing style does not help him support his opinions. If anything, his trademark style comes off as supercilious in the context of nonfiction. There is some value to the incendiary...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

Ever the iconoclast, Mamet takes on the role of the heretic in “Theatre.” Much of the book is spent attempting to dismantle ideas that have been the foundation of theatre-making for over a century. Mamet seems to have no problem unabashedly denouncing his...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

His actual critique of Stanislavsky, however, is mostly based on an uncharitable, oversimplified reading of the director’s prolific work: “Stanislavsky’s famed (if essentially hypothetical) system, then, was and is the dissection of the motives and emotions of the character. One hundred...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

Even when he praises other artists, the compliments seem oddly back-handed. In a chapter about Great American Plays, he lauds many authors, but gives special credit to Thornton Wilder for “Our Town.” Mamet has some intriguing thoughts about how the play utilizes language...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

Neither of them had read comic books as children but when cast in “The Losers,” a film adaptation of the comic series of the same name, both began to read the books.

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: ‘The Losers’ Win Hearts and World War III | 4/13/2010 | See Source »

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