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Competitive dancers are certainly athletes, whether or not their competition of choice is seen as a sport. The stamina, flexibility, and energy dance demands necessitate frequent cardiovascular training and exercise. CDT usually practices four days a week for around two hours. Perez-Moreno runs regularly and Shelton does total body...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

In the same way, Szpak compares CDT to a track team: “Everybody is dancing on their own, but it only succeeds if they all move together—so in that way, it’s more cohesive than a sport. If someone in front of you...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

Such rigorous athletic training makes creative expression possible. “We’re classically training our muscles but we’re also expressing ourselves through dance,” Prince says. However, a routine won’t rise to its greatest form unless dancers have the...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

While show dancing seemingly provides more of an opportunity for self-expression, competing helps dancers build the skills necessary for collaborative creative communication. “When you dance by yourself, if your hip’s in a different direction than it should be, it doesn’t...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

These are lofty topics, to be sure, and he makes quite a number of lofty claims about them. While there’s nothing inherently wrong with a book taking on such a grand scope, Mamet does so without any sense of rigor. In “Theatre,?...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

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