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...jive with the desired ambience, perhaps the “Pony Play Butt Plug” will. One of Phelps’ favorite items, it supposedly creates an animalistic, primitive feeling through the foot-long, pseudo-horse mane that dangles from its tip. “People underestimate the butt??s sensuality,” she says. “It’s okay to feel good down there too.” If the horse mane clashes with your cheetah-print lingerie, try the solid black 15-inch cone-shaped butt plug for $40. Reed...

Author: By William L. Adams, CRIMSON STAFF WRITER | Title: A Night, Out of Love | 2/14/2002 | See Source »

...uprising in a Northern Alliance jail, Walker may face criminal charges pending the decision of the Bush administration. But it gets worse for poor John: the father of the 20-year old mujaheedin says he wants to give his wayward son a “little kick in the butt?? when he gets back. “He’s been through a horrible ordeal,” says Frank Lindh...

Author: By Alan E. Wirzbicki, CRIMSON STAFF WRITER | Title: "Kick in the Butt" Not Enough for Walker | 12/12/2001 | See Source »

...Butt??s attempt to confront issues of her hybrid cultural identity in her art falls short because the viewer fails to draw something from the experience of looking at her art. The watercolors are small and indistinct, the word bubbles are nearly impossible to read, and the background patterns don’t add substance to most of the pieces. There is little visual differentiation between the paintings and overall, they are not visual stimulating...

Author: By Yair G. Aizeman, CONTRIBUTING WRITER | Title: Cultures of Hybridity | 11/30/2001 | See Source »

...with the words “passion” and “love,” while the middle contains the words “bad,” “wrong” and “wall.” Especially when one learns that Butt??s husband still lives in Pakistan, it forms an interesting commentary about the difficulty in communicating emotions between men and women, husbands and wives...

Author: By Yair G. Aizeman, CONTRIBUTING WRITER | Title: Cultures of Hybridity | 11/30/2001 | See Source »

...Butt??s work also touches upon her relationship with the world as a place of comfort. Represented by a potted plant in many of her paintings, Butt??s symbol for the world shifts between the figure’s lap, head and shoulders. In one painting, its tendrils wrap around the artist, partially shielding her from falling bubbles containing words such as “doubt” and “suspicion.” In another, they protect a serene woman from the attack of three vicious birds. In a third, the plant rests...

Author: By Yair G. Aizeman, CONTRIBUTING WRITER | Title: Cultures of Hybridity | 11/30/2001 | See Source »

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