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...shame, however, that one of O'Hara's few good novels had to be manhandled the way Butter-field 8 has been--although the catastrophe might be attributed to force of habit. For Butterfield 8 is one of the truly great chronicles of the 1930's. Unlike the more recent O'Hara offerings, it is not filled with drooly bedroom scenes and lurid prose; rather, it is a sympathetic study of Gloria Wandrous and of the kind of age that could produce such a girl...

Author: By Michael S. Lottman, | Title: Butterfield 8 | 11/30/1960 | See Source »

...customers back in slavering hordes. This fall, what with the special distraction of politics and the usual competition of new television shows, movie business has been sluggish. Reaction: a demi-epidemic of pictures about prostitution, the most severe of recent years. Now showing in the U.S.: Never on Sunday, Butterfield 8, Girl of the Night, Port of Desire, Rosemary. And last week Suzie Wong, the biggest (it cost $4,000,000, runs 129 minutes) and possibly the dullest of them all, won a dubious distinction: it became the first trollopera ever to play Manhattan's family-minded cathedral...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 28, 1960 | 11/28/1960 | See Source »

...Butterfield 8. The crude but affecting tart's tragedy of the O'Hara novel has become a sleek and libidinous lingerie meller -featuring Elizabeth Taylor as an enthusiastic amateur...

Author: /time Magazine | Title: THEATER: On Broadway, Nov. 28, 1960 | 11/28/1960 | See Source »

...Butterfield 8 (MGM) as a novel by John O'Hara was a crude but affecting tart's tragedy. As a film, it has been turned into a sleek and libidinous lingerie meller...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 21, 1960 | 11/21/1960 | See Source »

...book, which was based on the 1931 real-life tragedy of a gay young thing who called herself Starr Faithfull, the heroine was a semiprofessional call girl, with a phone on Manhattan's BUtterfield exchange. In the movie, she is just an enthusiastic amateur (Elizabeth Taylor) who promiscuously offers peace to the tired businessman. In the book, the hero was a middle-aged commuter with a careless habit of making women and missing trains. In the movie, he is a handsome young casualty of the battle for status, a poor boy (Laurence Harvey) who got rich quick by marrying...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 21, 1960 | 11/21/1960 | See Source »

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