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The controversial piece is characteristic of Lord’s style. Her oeuvre is polemical, iconoclastic, and highly visceral. The exhibitions she has curated, with titles like “Pervert,” “Trash,” and “Gender, fucked” appropriate...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Spring 2010 Harvard Arts Medalist | 4/27/2010 | See Source »

“I think there’s this thread of idiosyncracy and personal inflection in what I write. What’s important to me is to confuse that. Some people define things as either personal or political, and I’d rather taint either side of...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Spring 2010 Harvard Arts Medalist | 4/27/2010 | See Source »

“We looked at each other and said, ‘Why don’t we do a queer show?’” Lord said. “We made a proposal and sent it off to the obvious museums—museums I...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Spring 2010 Harvard Arts Medalist | 4/27/2010 | See Source »

Meyer and Lord have disagreed before. “We had a pretty extreme difference of opinion about Valerie Solanas,” he says. “I felt that Catherine was idealizing a woman whose writing was incredible but whose actions were indefensible,” he says...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Spring 2010 Harvard Arts Medalist | 4/27/2010 | See Source »

Lord was quick to qualify the criticisms from Meyer and others levelled at her work on Solanas. “I don’t think it’s right to shoot people, unless you really, really have to,” she says. “But nonetheless...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Spring 2010 Harvard Arts Medalist | 4/27/2010 | See Source »

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