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...David Noble (P), 47.38; 2. Kevin Williams (H), 47.43;3. Greg Buxton (H), 47.48; Rob Williams...

Author: By Andy Fine, | Title: Aquamen Dispatch Penn, 79.5-32.5 | 2/20/1990 | See Source »

...government has often tried to domesticate the Masai, to get them to give up the path of the warrior. Some years ago, a colonial district officer named Clarence Buxton decided to try to substitute manly sports for cattle raiding. He conceived the idea of encouraging Masai warriors to play polo while mounted on donkeys. The plan...

Author: /time Magazine | Title: Africa | 2/23/1987 | See Source »

...Kilzer and Norm Udevitz published dozens of articles proving that about 99% of so-called "missing children" were not abducted by strangers. Rather they were runaways (most of whom returned home within 72 hours) or were taken by parents involved in custody battles. The series, edited by Charles Buxton Jr., pointed out that in 1984 the FBI received reports on only 67 children kidnaped by strangers. For Post Editor David Hall, the stories were especially rewarding, since they began with "a rookie reporter looking deeper into a routine story. It was good old-fashioned pick-ax journalism." Hall's peers...

Author: /time Magazine | Title: Press: Old-Fashioned Pickax Journalism | 4/28/1986 | See Source »

...Stratford, there was Ron Daniels' experimentally modernized Romeo and Juliet, with Romeo (Anton Lesser) and his mates decked out in boots and leather jackets, and Juliet (Judy Buxton) playing her balcony scene atop what looked like an abstract painting. Also at Stratford, R.S.C. Veteran Alan Howard, directed by Terry Hands, was essaying both of Shakespeare's Richards, II and III. In the latter, a sort of cooked-up Jacobean melodrama, Howard hobbled about a raked stage somewhat more fleetly than he actually managed some of the lines...

Author: /time Magazine | Title: Show Business: Raising the Dickens in London | 11/24/1980 | See Source »

...death. Shrapnel sensitively conveys the deep inner anguish of a man torn between duty to his country and love for his child. As Clytemnestra, Suzman moves through a parabola of feelings, marking her again as one of the finest actresses on the English-speaking stage. And as Buxton reaches the heartbreaking conclusion that the one life she has to give for Hellas is the noblest life to have lived, she radiates a great and unforgettable purity of spirit. The final scene in this segment is a visual stunner. The rising wind whips the garment about Clytemnestra's knees. Alone...

Author: /time Magazine | Title: Theater: Olympus on the Thames | 2/18/1980 | See Source »

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