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...famous novels, The Trial and The Castle, Kafka described the workings of this nightmare. Since then, Kafka's visions of the bemusement of modern life have lurked in the background of many contemporary novels. But Italy's Dino Buzzati, best known in the U.S. for his children's story, The Bears' Famous Invasion in Sicily, is one of the few who have come close to rewriting a whole Kafka parable. The Tartar Steppe follows the style, mood and architecture of Kafka's Castle, the story of man struggling hopelessly to enter a stronghold in whose...

Author: /time Magazine | Title: Books: Atheist's Funeral March | 8/25/1952 | See Source »

Dedicated Sentinel. Novelist Buzzati's fortress, which symbolizes the abode of brave souls, stands on a lonely mountaintop. It commands a view of a misty steppe to the north, from where it may at any moment be attacked. In Dostoevsky's day the invaders were known as "Nihilists" ; today, Buzzati calls them "Tartars." But their name is unimportant; what matters is that they represent the forces of spiritual despair and destruction...

Author: /time Magazine | Title: Books: Atheist's Funeral March | 8/25/1952 | See Source »

...modern dilemma-an answer which assumes that all questions of faith are pointless and only man's pride and courage are of value. It is an answer that would have left Kafka as restless as before and convinced Dostoevsky that the Nihilists had won the day. But Author Buzzati, no Existentialist himself, presents it as a universal truth, a faith to die for; and so, though The Tartar Steppe suffers from being a copy of The Castle, it gains from the gravity and human sympathy with which it is written. Like many another modern novel, it reads like...

Author: /time Magazine | Title: Books: Atheist's Funeral March | 8/25/1952 | See Source »

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