Word: bynner
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...three bits of verse in the issue are all noticeably good. "The Immortal Song" by A. D. Ficke '04 and "To Keats" by H. W. Bynner '02, are both careful pieces of work and are good attempts at appreciation. On contrast to these the simplicity and swinging rhythm of a "Canoe Song," by R. Pier '03, is pleasing...
...verse is varying in its quality. "Self-Pity" by F. C. Gulick is an introspective sonnet which loses much by the obscurity of its symbolism and a bit of awkward phrasing. In "To a Stuffed Owl" and in "The Interval," W. Bynner has shown his versatility. "What the Sea Shell Told" is a pleasing bit of rhyme, but has no claim to originality of thought or treatment...
...four verses, the best is "Jericho at Sunrise" by A. D. Ficke '04. The imagery of "Fair Harvard," a short poem by C. P. Kendall '02, is marred by the unfortunate fact, which the author overlooks, that grapes do not grow on trees. "Armor," by W. Bynner '02, is a pretty little meditation about love containing nothing original or new. A sonnet by H. M. Ayres '02 aims high and nearly reaches the mark...
...story, but is fairly well told. "Four Characters," by W. Stevens '01, goes rather deeper than most of the Advocate's contributions. "A Morning's Catch," by F. M. Class '03, is a lively, pleasing story of the usual "storiette" type. "Pipe No. 29," by H. W. Bynner' 02, depicts vividly the Chinese character, but leaves a bad taste in the mouth. "The Rendezvous," by E. B. Ahlborn '02, is a commonplace story with an obvious and unnecessarily pointed moral. "In the Elk Fields," by J. C. G. is a vivid bit of life-like description. The color is good...
...Bynner '02, has been elected an editor of the Advocate...