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...self-styled conservative. Byrd-refuses to follow the trend that is breaking down the barrier between classics and jazz, will not hop up a piece of serious music. "It's a wedding that loses the best of both," he says. "It destroys the fire of jazz-which should be hot-blooded and swing hard-and it makes inferior classical music." Byrd keeps the forms divorced, plays one, then the other. "The arrangement," says Showboat Manager Peter Lambros, "has been extremely profitable for both of us." With room for only 80 customers, the small cellar club grosses $3.500 a week...

Author: /time Magazine | Title: Music: Between Two Loves | 9/14/1959 | See Source »

Stompin' & Segovia. As a child in Chuckatuck, Va., Byrd thought at first that he wanted to be a baseball player, but there was too much music around. "My dad ran the community store, an informal meeting place for farm hands on Saturday afternoons," Charlie recalls. "Some would bring their guitars, and there would be a lot of singin', playin' and spittin' tobacco juice. It was a real stompin' brand of music." Charlie's father taught his son the guitar, and at twelve Charlie was playing on a local radio show. World...

Author: /time Magazine | Title: Music: Between Two Loves | 9/14/1959 | See Source »

...jazz kick kept Byrd occupied only for a few years after his discharge from the Army. He studied at Manhattan's jazz-prone Hartnett National Music Studios, but was so enthralled by Spain's great classical guitarist, Andres Segovia, that he realized jazz was not his real love after all. The classics were the thing; for it, Byrd studied with Sophocles Papas, a friend of Segovia's, then in 1954 with Segovia himself in Siena, Italy...

Author: /time Magazine | Title: Music: Between Two Loves | 9/14/1959 | See Source »

More Satisfaction. Since then, Byrd has become a guitar adventurer. He has recorded guitar music of the 16th century for Washington Records, performed in concert halls including the National Gallery of Art. played his own flamenco guitar score for a production of Tennessee Williams' The Purification. He made a bow to jazz by playing in England and Saudi Arabia with the Woody Herman band, has also composed music for modern dance groups, and for the past two years has been combining classics and jazz at the Showboat...

Author: /time Magazine | Title: Music: Between Two Loves | 9/14/1959 | See Source »

...Byrd still loves jazz. "I just get more satisfaction out of the classics," he says. As his fans can attest, he plays both equally well. Says the Voice of America's Jazz Disk Jockey Willis Conover, who beams Byrd's wide-ranging guitar to 80-odd countries: "Charlie Byrd's versatility in the literature of the guitar surpasses that of anyone else. He is a masterful jack of all guitar trades...

Author: /time Magazine | Title: Music: Between Two Loves | 9/14/1959 | See Source »

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