Word: byronic
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Dates: during 2000-2009
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...Byron has devoted albums to the klezmer music of the eastern European Jews, to a variant Afro-Cuban sound he describes as "pan-Caribbean" and to a hybrid funk/hip-hop adventure with Biz Markie. His finest album may be 1996's Bug Music, a thrilling exploration of the jumpy, angular and surprisingly substantive music written for, among other things, 1940s cartoons. On his most recent disc, last year's A Fine Line, he brought together works by Stephen Sondheim, Ornette Coleman, Roy Orbison, Stevie Wonder and Giacomo Puccini. He was hoping to show, he wrote, "that a song untethered from...
...help themselves? This is the question many of those allies are asking. Europeans, in particular, have reacted to the new Administration's cannonade of decisions, declarations and denunciations as though, in the 100-plus days of the Bush presidency, America has become as a nation much as Lord Byron was described by a lover: "Mad, bad and dangerous to know...
Calling Don Byron a jazz musician is like calling the Pacific wet - it just doesn't begin to describe it. Magazines may not be able to resist the impulse to categorize, but Byron has carpentered an extraordinary career precisely by obliterating the very idea of category. Though he made his bones as a jazz clarinetist, over the past decade he has developed a sort of musical Esperanto - impassioned, expansive, inclusive - distilled from the babel of styles, genres and species, both historical and contemporary, that make up our perception of music itself...
...child in the Bronx, Byron, now 42, was kept indoors much of the time by a near crippling asthma. But confinement married him to music, a music perceived not as a continent divided into separate principalities but as a unified cosmos. "A lot of the [music] that I've investigated in my life," Byron says, he first encountered "within the walls of my bedroom in my parents' house" - which is to say, within the infinite walls of imagination...
...Byron has devoted albums to the klezmer music of the eastern European Jews, to a variant Afro-Cuban sound he describes as "pan-Caribbean" and to a hybrid funk/hip-hop adventure with Biz Markie. His finest album may be 1996's Bug Music, a thrilling exploration of the jumpy, angular and surprisingly substantive music written for, among other things, 1940s cartoons. On his most recent disc, last year's A Fine Line, he brought together works by Stephen Sondheim, Ornette Coleman, Roy Orbison, Stevie Wonder and Giacomo Puccini. He was hoping to show, he wrote, "that a song untethered from...